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movement

vibe

  1. Havana III — hermann struck, 1913
  2. Tomb of Giovanni Segantini (1858-1899) — hermann struck, 1907
  3. Jerusalem, Russian Building II — hermann struck, 1900
  4. Jerusalem X — hermann struck, 1916
  5. Jerusalem, Chapel of the Ascension — hermann struck, 1905

topics

  1. Jerusalem X — hermann struck, 1916
  2. Jerusalem, Russian Building II — hermann struck, 1900
  3. Jerusalem, Chapel of the Ascension — hermann struck, 1905
  4. Etchings of Paris; Title page to the suite — Charles Meryon, 1852
  5. Havana III — hermann struck, 1913
  6. New York City — troller, norbert, 1950

keywords

  1. Jerusalem, Chapel of the Ascension — hermann struck, 1905
  2. Havana III — hermann struck, 1913

tone

  1. Jerusalem, Russian Building II — hermann struck, 1900
  2. Jerusalem, Chapel of the Ascension — hermann struck, 1905

main color

  1. Jerusalem, Russian Building II — hermann struck, 1900
  2. Westminster Palace — félix hilaire buhot, 1884
  3. 'From the Palace, Oodipore. Janr. 1879' — Marianne North, 1879
  4. Havana III — hermann struck, 1913
  5. Fountain from the Gate of the Seraglio — John Frederick Lewis
  6. Canada River — Frank Weston Benson
  7. Our Neighbor's Yard — ernest d roth, 1916
  8. Thursday Market in Hama — soubhi shoaieb, 1940
  9. A Scene in Tours — frederick g hall, 1927
  10. Nest Tree — abbo ostrowsky, 1930
  11. Voyage au Soudan Oriental — pierre-victor trémaux, 1853
  12. View Near Cairo — Edward Lear
  13. Voyage au Soudan Oriental — pierre-victor trémaux, 1853
  14. Cypress trees at the mosque — Isaak Ilyich Levitan, 1886
  15. Voyage au Soudan Oriental — pierre-victor trémaux, 1853
  16. Jerusalem, Chapel of the Ascension — hermann struck, 1905
  17. Piazza Erbe — Aldo Andreani
  18. Jerusalem X — hermann struck, 1916
  19. Etchings of Paris; Title page to the suite — Charles Meryon, 1852
  20. St. Etienne-du-Mont, Paris, from Eaux-fortes sur Paris (Etchings of Paris) — Charles Meryon, 1852
  21. New York City — troller, norbert, 1950
  22. Driftway, Evening — kerr eby, 1932