period

1. Crescent Beach (also known as Crescent Beach, St. Malo) — Maurice Brazil Prendergast, 1907
2. Two Peasants Digging — vincent willem van gogh
3. Women in the Garden: Le canticle des Cantiques'''' — jean-édouard vuillard, 1891
4. Children Wrestling — Eugène Henri Paul Gauguin, 1888
5. Woman Seated on the Grass — Edgar Degas, 1882
6. 'The Home of a ''Labrador'' in Brazil' — Frans Post, 1850
7. Woman and Centaur — Odilon Redon, 1900
8. Two Cowherds by the River — Camille Pissarro, 1895
9. Still Life with Flowers — Maurice Brazil Prendergast, 1913
10. Deux hommes assis à une table, ou les Fumeurs, huile sur panneau Two men sitting with a table, or the Smokers, oils on panel — Honoré Daumier
11. Olive Trees near Nice (also known as Oliviers aux environs de Nice) — Theo van Rysselberghe, 1905
12. La Poste at Cagnes — Pierre-Auguste Renoir, 1905

movement

1. Two Peasants Digging — vincent willem van gogh
2. Children Wrestling — Eugène Henri Paul Gauguin, 1888
3. Harvest Scene — Paul Sérusier

vibe

1. Women in the Garden: Le canticle des Cantiques'''' — jean-édouard vuillard, 1891
2. 'The Home of a ''Labrador'' in Brazil' — Frans Post, 1850

topics

keywords

tone

main color

1. Two Arabs — William Merritt Chase, 1881
2. Two Cowherds by the River — Camille Pissarro, 1895
3. Two Cowherds by the River. — Camille Pissarro, 1895
4. Two Panels from a Triptych — memling, hans
5. La Poste at Cagnes — Pierre-Auguste Renoir, 1905
6. Olive Trees near Nice (also known as Oliviers aux environs de Nice) — Theo van Rysselberghe, 1905
7. Woman Seated on the Grass — Edgar Degas, 1882
8. 'The Home of a ''Labrador'' in Brazil' — Frans Post, 1850
9. Corrupted oil jerry crude oil — Banksy
10. 0 — Denis Maurice
11. Harvest Scene — Paul Sérusier
12. Riders by a Lake — reginald gammon
13. Two Superimposed Oil Studies — Alexej von Jawlensky, 1909

other

1. At Cafe — jennings tofel, 1940
2. Labor family — Vasily Grigoryevich Perov
3. Still Life with Two Jars and Two Pumpkins — vincent willem van gogh, 1885
4. Hirten am Abend — Ernst Ludwig Kirchner, 1937