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period

  1. Naturaleza muerta con botella de Anís del Mono — Pablo Picasso
  2. Landcape with bridge — Pablo Picasso
  3. Portrait of a Woman — Kazimir Malevich, 1934
  4. Por la mañana, después de la tormenta, en la aldea — Kazimir Malevich
  5. Enemy — Kazimir Malevich
  6. Musical instrument — Kazimir Malevich, 1913
  7. Naked model in the workshop — Fernand Léger, 1913
  8. Woman with Pails Dynamic Arrangement — Kazimir Malevich
  9. Cuadrado negro — Kazimir Malevich
  10. Peasant Woman with Buckets — Kazimir Malevich
  11. Smokers — Fernand Léger, 1912
  12. Guardsman — Kazimir Malevich
  13. The Gardener — Kazimir Malevich
  14. Musical instrument - Lamp — Kazimir Malevich
  15. Floor Polishers — Kazimir Malevich
  16. Encina y driadas — Kazimir Malevich
  17. El leñador — Kazimir Malevich
  18. Speakers on Tribune — Kazimir Malevich, 1919

movement

  1. Cityscape. Kiev. — oleksandr bogomazov (alexander bogomazov), 1913

vibe

  1. Landcape with bridge — Pablo Picasso
  2. Por la mañana, después de la tormenta, en la aldea — Kazimir Malevich
  3. The Gardener — Kazimir Malevich
  4. Encina y driadas — Kazimir Malevich

topics

  1. Floor Polishers — Kazimir Malevich
  2. Por la mañana, después de la tormenta, en la aldea — Kazimir Malevich

keywords

  1. Peasant Woman with Buckets — Kazimir Malevich

tone

  1. Suprematism (Supremus 58) — Kazimir Malevich
  2. Guardsman — Kazimir Malevich

main color

  1. Naked model in the workshop — Fernand Léger, 1913
  2. Speakers on Tribune — Kazimir Malevich, 1919
  3. Suprematism (Supremus 58) — Kazimir Malevich
  4. Suprematist Variant of Painting — Kazimir Malevich
  5. Enemy — Kazimir Malevich
  6. smokers - - ) — Fernand Léger, 1912
  7. Smokers — Fernand Léger, 1912
  8. Encina y driadas — Kazimir Malevich
  9. Cityscape. Kiev. — oleksandr bogomazov (alexander bogomazov), 1913
  10. Naturaleza muerta con botella de Anís del Mono — Pablo Picasso
  11. Guardsman — Kazimir Malevich

other

  1. Bottles and knife - - — Juan Gris, 1912
  2. The nude model in the workshop — Fernand Léger