Wheel of Affinities — The Movement of the Suprematistic Square, Which Constitutes a New Dihedral Suprematistic Element — Kazimir Malevich

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Wheel of Affinities

Let one painting lead you to the next

Welcome. Every artwork orbiting this wheel shares a thread with “The Movement of the Suprematistic Square, Which Constitutes a New Dihedral Suprematistic Element”. Take your time, follow what catches your eye, and let curiosity carry you from one masterpiece to another.

How to explore

Drag left or right to spin the wheel.
Drag up or down — or scroll — to zoom in and out.
Hover an artwork to reveal its title and affinities; click to open it.

The eight directions: Each spoke is a kind of kinship — period, movement, vibe, topics, keywords, tone and main colour, plus “other” for the freer, more surprising matches.
Distance from the centre: The closer a work sits to the heart of the wheel, the stronger its bond with this painting. Works near the rim are looser, more unexpected echoes — often the most rewarding to discover.

period

movement

vibe

topics

keywords

tone

main color

other

period

Suprematism with eight rectangles — Kazimir Malevich, 1915
Suprematism with Blue Triangle and Black Square — Kazimir Malevich, 1915
Suprematism (11) — Kazimir Malevich, 1915
Suprematism — Kazimir Malevich, 1920
Suprematism. Self Portrait in two dimensions — Kazimir Malevich, 1915
The Gardener — Kazimir Malevich
Table No. 1 Formula of Suprematism — Kazimir Malevich
A letter to Kazimir M. from Dmitry K. — Kazimir Malevich, 1900

movement

Contrasting suprematistic elements — Kazimir Malevich, 1927
Suprematistic composition (Combined feeling: Circle and square) — Kazimir Malevich, 1927
Combined Suprematistic Composition. (Feeling of Metallic Sounds - Dynamic) (Pale - Metallic Colour) — Kazimir Malevich, 1927
Suprematistic composition (Feeling of the current. Telegraphy.) — Kazimir Malevich, 1927
Suprematistic composition. White in white. (Feeling of fading away.) — Kazimir Malevich, 1927
Composition suprematistic elements (Feeling of the flight) — Kazimir Malevich, 1927
Suprematism. Self Portrait in two dimensions — Kazimir Malevich, 1915
suprematism fine arts museum, krasnodar — Kazimir Malevich, 1917
Suprematism 2 — Kazimir Malevich
A letter to Kazimir M. from Dmitry K. — Kazimir Malevich, 1900

vibe

Magnetic Suprematism — Kazimir Malevich, 1917
Contrasting suprematistic elements — Kazimir Malevich, 1927
Suprematistic composition (Combined feeling: Circle and square) — Kazimir Malevich, 1927
Suprematism with Blue Triangle and Black Square — Kazimir Malevich, 1915
Suprematism (11) — Kazimir Malevich, 1915
Suprematistic composition (Feeling of the current. Telegraphy.) — Kazimir Malevich, 1927
Suprematism — Kazimir Malevich, 1920
Suprematism. Self Portrait in two dimensions — Kazimir Malevich, 1915
suprematism fine arts museum, krasnodar — Kazimir Malevich, 1917
Table No. 1 Formula of Suprematism — Kazimir Malevich
A letter to Kazimir M. from Dmitry K. — Kazimir Malevich, 1900

topics

Contrasting suprematistic elements — Kazimir Malevich, 1927
Suprematism — Kazimir Malevich, 1920
Magnetic Suprematism — Kazimir Malevich, 1917
Suprematistic composition (Feeling of the current. Telegraphy.) — Kazimir Malevich, 1927
suprematism fine arts museum, krasnodar — Kazimir Malevich, 1917

keywords

Magnetic Suprematism — Kazimir Malevich, 1917
Suprematism — Kazimir Malevich, 1920
Suprematistic composition (Feeling of the current. Telegraphy.) — Kazimir Malevich, 1927
Combined Suprematistic Composition. (Feeling of Metallic Sounds - Dynamic) (Pale - Metallic Colour) — Kazimir Malevich, 1927

tone

Suprematism with eight rectangles — Kazimir Malevich, 1915
Suprematism with Blue Triangle and Black Square — Kazimir Malevich, 1915
Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
Suprematism (11) — Kazimir Malevich, 1915
Suprematism. Self Portrait in two dimensions — Kazimir Malevich, 1915
Suprematism (15) — Kazimir Malevich, 1915
Table No. 1 Formula of Suprematism — Kazimir Malevich
A letter to Kazimir M. from Dmitry K. — Kazimir Malevich, 1900

main color

Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
Suprematism. Self Portrait in two dimensions — Kazimir Malevich, 1915
Suprematistic composition (Combined feeling: Circle and square) — Kazimir Malevich, 1927
Suprematistic composition. White in white. (Feeling of fading away.) — Kazimir Malevich, 1927
Two Abstract Compositions — hryhorii havrylenko, 1966
Suprematism with Blue Triangle and Black Square — Kazimir Malevich, 1915
Contrasting suprematistic elements — Kazimir Malevich, 1927
Suprematistic composition (Feeling of the current. Telegraphy.) — Kazimir Malevich, 1927
Composition suprematistic elements (Feeling of the flight) — Kazimir Malevich, 1927
Suprematism (15) — Kazimir Malevich, 1915
Suprematism (Supremus No.58) State Russian Mu — Kazimir Malevich, 1916
Table No. 1 Formula of Suprematism — Kazimir Malevich
A letter to Kazimir M. from Dmitry K. — Kazimir Malevich, 1900
suprematism fine arts museum, krasnodar — Kazimir Malevich, 1917
Suprematism with eight rectangles — Kazimir Malevich, 1915
Combined Suprematistic Composition. (Feeling of Metallic Sounds - Dynamic) (Pale - Metallic Colour) — Kazimir Malevich, 1927
Magnetic Suprematism — Kazimir Malevich, 1917
Suprematism (11) — Kazimir Malevich, 1915
Oscilações do Claro Escuro I — eduardo josé nery de oliveira goih, 1967

other

Car Racks — andrew spence, 1988
Study for Tenayuca — Josef Albers, 1938