period

1. Profile of a man and study of two riders — Leonardo da Vinci, 1497
2. R: Studies for casting apparatus and miscellaneous notes. V: Casting studies and lines of poetry — Leonardo da Vinci, 1492
3. Study for the Disputa — Raphael, 1509
4. Perspectiva para la Adoración — Leonardo da Vinci, 1481
5. Studies for Saint Mary Magdalene — Leonardo da Vinci, 1480
6. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569

movement

1. Fonte Gaia — Jacopo della Quercia, 1409
2. Perspectiva para la Adoración — Leonardo da Vinci, 1481

vibe

1. Study of the back of the Perseus helmet by Cellini — Luigi Sabatelli

topics

1. Perspectiva para la Adoración — Leonardo da Vinci, 1481
2. Studies for Saint Mary Magdalene — Leonardo da Vinci, 1480

keywords

tone

1. Profile of a man and study of two riders — Leonardo da Vinci, 1497
2. Design for the Adoration of the Magi — Leonardo da Vinci, 1478
3. Study of the back of the Perseus helmet by Cellini — Luigi Sabatelli
4. R: Studies for casting apparatus and miscellaneous notes. V: Casting studies and lines of poetry — Leonardo da Vinci, 1492
5. Sheet of studies with a youth and the head of an old man looking to the right (Homer?) — Andrea del Sarto
6. Blossoming — Paul Klee
7. Study for the Disputa — Raphael, 1509
8. Studies for Saint Mary Magdalene — Leonardo da Vinci, 1480
9. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569

main color

1. Foot Studies — giuseppe passeri
2. Sheet of studies with a youth and the head of an old man looking to the right (Homer?) — Andrea del Sarto
3. Perspectiva para la Adoración — Leonardo da Vinci, 1481
4. Studies for Saint Mary Magdalene — Leonardo da Vinci, 1480
5. Design for the Adoration of the Magi — Leonardo da Vinci, 1478
6. Untitled — abdel hadi al gazzar
7. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Federico Fiori Barocci
8. Sketch of two figures for finished painting — Nicholas Roerich
9. Tondo (Studie), 1973 — fritz glarner
10. Romains combattant et Études pour la course de chevaux libres — Théodore Géricault
11. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569
12. La Divina Commedia, Purgatorio XXXI. The earthly paradise: Dante — Sandro Botticelli
13. The Dream of St Ursula — Vittore Carpaccio, 1495
14. Studies of Flying Putti — reni guido (le guide)
15. R: Studies for casting apparatus and miscellaneous notes. V: Casting studies and lines of poetry — Leonardo da Vinci, 1492
16. Study for the Disputa — Raphael, 1509
17. Abstract composition (Sketch for the "Nika") — hryhorii havrylenko, 1963
18. Group of riders in the Battle of Anghiari — Leonardo da Vinci, 1503
19. Study of the back of the Perseus helmet by Cellini — Luigi Sabatelli
20. Drawings after one of Altichiero's frescoes in the Oratorio di San Giorgio — Gentile da Fabriano
21. Blossoming — Paul Klee
22. Fonte Gaia — Jacopo della Quercia, 1409
23. Character study — Alfred Dehodencq

other