period

1. The Door — Lubo Kristek, 1992
2. Sliced Images — park, chan girl, 2010
3. Shoemaker’s Dreaming — Lubo Kristek, 1976
4. Gloria, Birth of Homo Divinensus – Intelektes — Lubo Kristek, 1989

movement

1. The Door — Lubo Kristek, 1992
2. Sculpture with Colour (Deep Blue and Red) — Barbara Hepworth, 1940
3. Sculpture — leandre cristòfol i peralba, 1964
4. Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971 — Salvador Dalí
5. Gloria, Birth of Homo Divinensus – Intelektes — Lubo Kristek, 1989

vibe

1. The Door — Lubo Kristek, 1992
2. Shoemaker’s Dreaming — Lubo Kristek, 1976
3. Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971 — Salvador Dalí
4. Gloria, Birth of Homo Divinensus – Intelektes — Lubo Kristek, 1989

topics

1. The Door — Lubo Kristek, 1992
2. Night-blooming genera — helen elizabeth marten, 2015

keywords

tone

1. The Door — Lubo Kristek, 1992
2. Shoemaker’s Dreaming — Lubo Kristek, 1976
3. Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971 — Salvador Dalí
4. Gloria, Birth of Homo Divinensus – Intelektes — Lubo Kristek, 1989

main color

1. Veduggio glimpse — sir anthony alfred caro
2. Gloria, Birth of Homo Divinensus – Intelektes — Lubo Kristek, 1989
3. Cell XXVI — Louise Joséphine Bourgeois, 2003
4. Internal framework of the statue of the Assumption of Mary — giovanni battista varino
5. Sliced Images — park, chan girl, 2010
6. Sculpture-morte — Marcel Duchamp
7. The edible cage — fabrice hybert, 2019
8. The Last Formation — Lonnie Holley, 2017
9. Curved Form (Pavan) — Barbara Hepworth, 1956
10. Sculpture — leandre cristòfol i peralba, 1964

other

1. Disc with Strings (Moon) — Barbara Hepworth, 1969
2. Castirella — Benni Bosetto
3. Space Sculpture No.1 — battling key
4. Strata — kim jin-soo, 1991
5. Dress — haneza creations, 2002
6. Oval Sculpture — Barbara Hepworth, 1943
7. Spirit of the Court — daniel lind ramos, 1996
8. Untitled (Individual element from The Healing Machine) — Emery Blagdon, 1986
9. Tabernacle of the Dough — daniel lind ramos, 2013