period

movement

1. Crescent Beach (aka Crescent Beach, St. Malo) — Maurice Brazil Prendergast
2. St. Malo — Maurice Brazil Prendergast, 1907
3. untitled (4318) — Maurice Brazil Prendergast
4. The Point, Gloucester — Maurice Brazil Prendergast, 1910
5. Brittany Coast — Maurice Brazil Prendergast
6. New England — Maurice Brazil Prendergast, 1910
7. Landscape — Maurice Brazil Prendergast, 1917

vibe

topics

1. Crescent Beach (aka Crescent Beach, St. Malo) — Maurice Brazil Prendergast
2. St. Malo — Maurice Brazil Prendergast, 1907
3. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583

keywords

tone

main color

1. St. Malo (also known as Sketch, St. Malo) — Maurice Brazil Prendergast, 1907
2. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
3. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
4. The Point, Gloucester — Maurice Brazil Prendergast, 1910
5. Brittany Coast — Maurice Brazil Prendergast
6. Marblehead Harbor — Maurice Brazil Prendergast, 1920
7. Landscape — Maurice Brazil Prendergast, 1917
8. Landscape at L'Estaque — Georges Braque, 1906
9. untitled (4318) — Maurice Brazil Prendergast
10. Crescent Beach (also known as Crescent Beach, St. Malo) — Maurice Brazil Prendergast, 1907
11. Saint Cosmas and Saint Damian Salvaged — Fra Angelico, 1438
12. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
13. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
14. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
15. St. Malo — Maurice Brazil Prendergast, 1907
16. Study for the figure of Saint Benedict — Antonio Allegri da Correggio
17. Crescent Beach (aka Crescent Beach, St. Malo) — Maurice Brazil Prendergast
18. New England — Maurice Brazil Prendergast, 1910
19. Pointe-Saint-Pierre, Saint-Tropez — Theo van Rysselberghe, 1896
20. Moorfoot — sir william george gillies

other

1. Glorification of Saint Faustinus and Saint Jovita and Two Unknown Saints — giambattista tiepolo, 1752
2. LA SAINTE FAMILLE AVEC SAINTE ELISABETH ET LE PETIT SAINT JEAN — Simon Vouet
3. Saint Jerome in His Study — Jan van Eyck
4. Saint Roch with Saint Jerome and Saint Sebastian (after a picture attributed to Alessandro Oliverio) — John Singer Sargent, 1880