period

movement

1. Girl at the Piano — Paul Cézanne
2. Night scene with figures carrying umbrellas — Maurice Brazil Prendergast
3. The Huntington Avenue Streetcar — Maurice Brazil Prendergast
4. Peaches, Pears and Grapes — Paul Cézanne, 1879
5. Goose Girl — Alfred Sisley, 1895
6. A woman reading in the park — Maurice Brazil Prendergast
7. A woman in a veiled hat — Maurice Brazil Prendergast
8. Little Breton Girl Seated (Portrait of Marie Francisaille) — Paul Sérusier, 1895
9. A girl riding a tricycle in the park — Maurice Brazil Prendergast
10. Young italian girl resting on her elbow,c.1900, coll — Paul Cézanne
11. Two girls and a woman in a veiled hat — Maurice Brazil Prendergast
12. A nanny with her charge — Maurice Brazil Prendergast
13. A man and two women sitting in the park — Maurice Brazil Prendergast
14. Portrait of a Young Girl — Maurice Brazil Prendergast, 1913

vibe

topics

1. A girl riding a tricycle in the park — Maurice Brazil Prendergast
2. Two girls and a woman in a veiled hat — Maurice Brazil Prendergast
3. Two Little Girls — Pierre-Auguste Renoir, 1890

keywords

tone

main color

1. A nanny with her charge — Maurice Brazil Prendergast
2. Two girls and a woman in a veiled hat — Maurice Brazil Prendergast
3. Night scene with figures carrying umbrellas — Maurice Brazil Prendergast
4. A man and two women sitting in the park — Maurice Brazil Prendergast
5. Couple (Reddish-brown) — emile nolde
6. A woman in a veiled hat — Maurice Brazil Prendergast
7. A woman reading in the park — Maurice Brazil Prendergast
8. The accordionist — Marc Chagall, 1957
9. Foot Landscape — Joe Brainard, 1975
10. Peaches, Pears and Grapes — Paul Cézanne, 1879
11. Divine Comedy, Purgatory: Canto 28 — Salvador Dalí

other

1. Seating Girl — Pierre-Auguste Renoir
2. Sketch on a Young Girl on Ocean Steamer — William Merritt Chase, 1883
3. Gypsy girl, Private collection, Canad — Pierre-Auguste Renoir, 1879
4. Little Breton Girl Seated (also known as Portrait of Marie Francisaille) — Paul Sérusier, 1895
5. Little Girl with a Cat — Pierre Bonnard, 1899