period

movement

1. Opal Sea — Maurice Brazil Prendergast, 1910
2. Float at Low Tide, Revere Beach (also known as People at the Beach) — Maurice Brazil Prendergast, 1897
3. Bend in road,1900-06, private.venturi - (790) — Paul Cézanne
4. On the Beach — Henri Lebasque
5. Road Menders, The — vincent willem van gogh
6. Evening, Morgat Beach — maxime emile louis maufra, 1902
7. Beuzec-Concq in Concarneau — maxime emile louis maufra, 1911
8. Beach with Figures and Sea with a Ship — vincent willem van gogh
9. View of the beach at Bellangenai — Eugène Henri Paul Gauguin, 1889

vibe

topics

1. Beach and Sea — vincent willem van gogh, 1882
2. Beuzec-Concq in Concarneau — maxime emile louis maufra, 1911
3. Beach with Figures and Sea with a Ship — vincent willem van gogh

keywords

tone

main color

1. A tranquil river landscape — ferdinand guillaumin
2. Beuzec-Concq in Concarneau — maxime emile louis maufra, 1911
3. Beach and Sea — vincent willem van gogh, 1882
4. Road Menders, The — vincent willem van gogh
5. Jerthe United States — hermann struck, 1926
6. Evening, Morgat Beach — maxime emile louis maufra, 1902
7. Bend in road,1900-06, private.venturi - (790) — Paul Cézanne
8. Barn. Twilight. — Isaak Ilyich Levitan, 1895
9. Beach with Figures and Sea with a Ship — vincent willem van gogh
10. Sketch of a Village — Albert-Charles Lebourg
11. Road to the Sea — Frederick Childe Hassam, 1895
12. View of Neuss — Andreas Achenbach, 1865
13. Opal Sea — Maurice Brazil Prendergast, 1910
14. Ije Village — odinigwe benedict chukwukadibia enwonwu mbe, 1973
15. Wooded Hill — Eanger Irving Couse
16. Duinlandschap — theophile emile achille de bock
17. On the Beach — Henri Lebasque
18. Landscape — Paul Nash, 1927
19. Chateau de Madan — Paul Cézanne, 1881
20. Cotysville — Frederick Childe Hassam
21. Crescent Beach (also known as Crescent Beach, St. Malo) — Maurice Brazil Prendergast, 1907

other

1. The sea (she, she has a sea I like) and The sea (everyone tells me about you, everyone, even the sea)\n\nThe sea (she, she has a sea I like) — abel galván farías, 2012