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period

movement

  1. The Conclusion of the Sabbath (Sabbath-Ausgang) — Moritz Daniel Oppenheim, 1866
  2. A Country Post Office — Edward Villiers Rippingille, 1837
  3. Corrupted oil jerry crude oil — Banksy

vibe

  1. The Woman taken in Adultury — Rembrandt van Rijn, 1644

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main color

  1. The Godfather Awaits the Child (Der Gevatter erwartet das Kind) — Moritz Daniel Oppenheim, 1867
  2. Sukkot (Feast of Tabernacles) (Das Laubhütten-Fest) — Moritz Daniel Oppenheim, 1867
  3. A Country Post Office — Edward Villiers Rippingille, 1837
  4. Sukkot (Feast of Tabernacles) (Das Laubhütten-Fest) — Moritz Daniel Oppenheim, 1867
  5. Pinel Freeing The Insane From Their Chains — Tony Robert-Fleury, 1870
  6. Scene In The Jewish Quarter Of Constantine (also known as Two Jewish Women of Constantine) — Théodore Chassériau, 1851
  7. The Examination (Das Verhören) — Moritz Daniel Oppenheim, 1868
  8. The Wedding (Die Trauung) — Moritz Daniel Oppenheim, 1866
  9. Party Scene With Music — Palamedes Palamedesz
  10. Untitled (124) — Louis Léopold Boilly
  11. The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs (Die Heimkehr des Freiwilligen aus den Befreiungskriegen zu den nach alter Sitte lebenden Seinen) — Moritz Daniel Oppenheim, 1834
  12. The Conclusion of the Sabbath (Sabbath-Ausgang) — Moritz Daniel Oppenheim, 1866
  13. Meeting of Artists in Isabey's Studio — Louis Léopold Boilly, 1798
  14. The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs (Die Heimkehr des Freiwilligen aus den Befreiungskriegen zu den nach alter Sitte lebenden Seinen) — Moritz Daniel Oppenheim, 1833
  15. The Woman taken in Adultury — Rembrandt van Rijn, 1644
  16. Entrance to a free show at the Ambigu Comique Theatre — Louis Léopold Boilly, 1819
  17. The accusation — petrus van schendel
  18. The Praying Jew, oil on canvas, The Art Instit — Marc Chagall, 1923
  19. Portrait of Fanny Mendelssohn Hensel — Moritz Daniel Oppenheim, 1842