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period

movement

vibe

  1. The Penitence — Nicolas Poussin
  2. The Entombment — Nicolas Poussin
  3. Eliezer and Rebecca — Nicolas Poussin

topics

  1. Landscape with St Matthew and the Angel — Nicolas Poussin, 1645
  2. Landscape with Peace and Justice Embracing — laurent de la hyre, 1654
  3. Southern Landscape with Figures — Jan Frans van Bloemen
  4. Landscape With Meleager And Atlanta — giovan battista viola

keywords

  1. The Summer (Ruth and Boaz), oil on canvas, — Nicolas Poussin, 1664
  2. The Seven Sacraments, Confirmation — Nicolas Poussin
  3. Autumn — Nicolas Poussin, 1660
  4. Landscape with St Matthew and the Angel — Nicolas Poussin, 1645

tone

  1. Autumn — Nicolas Poussin, 1660
  2. Landscape with Travellers Resting — Nicolas Poussin

main color

  1. The Rape of the Sabine Women — Nicolas Poussin, 1634
  2. Landscape with Peace and Justice Embracing — laurent de la hyre, 1654
  3. Landscape with Three Men — Nicolas Poussin
  4. Landscape with Orpheus and Euridice (detail) — Nicolas Poussin
  5. Landscape with Travellers Resting — Nicolas Poussin
  6. Autumn — Nicolas Poussin, 1660
  7. Landscape with man killed by snake — Nicolas Poussin
  8. Eliezer and Rebecca — Nicolas Poussin
  9. Southern Landscape with Figures — Jan Frans van Bloemen
  10. The Penitence — Nicolas Poussin
  11. Imaginary Landscape — Gaspard Dughet, 1650
  12. The Rest on the Flight into Egypt (detail) — claude lorrain (claude gellée)
  13. Landscape with St Matthew and the Angel — Nicolas Poussin, 1645
  14. The Entombment — Nicolas Poussin
  15. The Summer (Ruth and Boaz), oil on canvas, — Nicolas Poussin, 1664
  16. Diana Surprised at Her Bath — Jean-Baptiste-Camille Corot
  17. The Seven Sacraments, Eucharist — Nicolas Poussin
  18. Holy Family on the Steps, canvas, The Natio — Nicolas Poussin, 1688
  19. The Seven Sacraments, Confirmation — Nicolas Poussin
  20. Tobias and the Angel — Giovanni Francesco Grimaldi
  21. Self-portrait of Nicolas Poussin from 1630, while recovering from a serious illness — Nicolas Poussin, 1630