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1. The Inferno, Canto 28, lines 30,31. Now mark how I do rip me. lo! How is Mahomet mangled. — Paul Gustave Doré
2. Rabbit — Nathan Oliveira, 1964
3. untitled (1459) — Paul Gustave Doré
4. The Minataur — Paul Gustave Doré
5. the minataur — Paul Gustave Doré
6. untitled (5737) — Paul Gustave Doré
7. C. Parson, RA — George Edmund Butler, 1920
8. Still Life with Apples and Pomegranates — Gustave Courbet, 1871
9. The Inferno, Canto 29, lines 4-6. But Virgil rous’d me. “What yet gazest on. Wherefore doth fasten yet thy sight below Among the maim’d and miserable shades — Paul Gustave Doré
10. Dore Gustave 44. It-s Thais the prostitute who answered at the words of her lover -Don-t you owe — Paul Gustave Doré
11. The Desert — howard cook, 1926
12. The Artist and the Model — muzej grada beograda, 1905
13. untitled (8371) — Paul Gustave Doré
14. Beggar Resting — giacomo ceruti (pitocchetto), 1720
15. The Promenade — Paul Cézanne, 1871
16. untitled (7114) — Paul Gustave Doré
17. Here you see the bloodthirsty Erynnies - he said — Paul Gustave Doré
18. The Inferno, Canto 9, line 46. “Mark thou each dire Erinnys. — Paul Gustave Doré
19. Paper Play 1309 — jeong han yun & choon hyang yun (both south korean), 2010
20. Blockade — Ali Talib Al-Saffar, 2001
21. The Inferno, Canto 18, lines 130-132. Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ — Paul Gustave Doré

other

1. Interior, Strandgade 30 — vilhelm (hammershøi)hammershoi, 1909
2. Composition — ralph william edward rumney, 1957
3. Harvest — ganesh chandra haloi, 1981