period

movement

1. The Inferno, Canto 24, lines 89-92. Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. — Paul Gustave Doré
2. dore gustave - (66) — Paul Gustave Doré
3. The Inferno, Canto 26, lines 46-49. The guide, who mark’d How I did gaze attentive, thus began. “Within these ardours are the spirits, each Swath’d in confining fire.” — Paul Gustave Doré
4. The Inferno, Canto 7, lines 118-119. 'Now seest thou, son! The souls of those, whom anger overcame.' — Paul Gustave Doré
5. The Inferno, Canto 25, lines 59-61. The other two Look’d on exclaiming. “Ah, how dost thou change, Agnello!” — Paul Gustave Doré
6. The Crucifixion — Paul Gustave Doré
7. the late repenters — Paul Gustave Doré
8. Dante And Virgil In Hell — Paul Gustave Doré
9. The Prideful-Oderisi — Paul Gustave Doré
10. Paradise Lost (12) — Paul Gustave Doré
11. the celestial pilot — Paul Gustave Doré
12. Sordello and Virgil — Paul Gustave Doré
13. Beatrice II — Paul Gustave Doré
14. Sapia — Paul Gustave Doré
15. Tumult and Escape — Paul Gustave Doré
16. untitled (1846) — Paul Gustave Doré

vibe

1. The Inferno, Canto 24, lines 89-92. Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. — Paul Gustave Doré
2. dore gustave - (66) — Paul Gustave Doré
3. untitled (2211) — Paul Gustave Doré
4. The Inferno, Canto 7, lines 118-119. 'Now seest thou, son! The souls of those, whom anger overcame.' — Paul Gustave Doré
5. The Burial Of Sarah, Illustration From Dore's 'the Holy Bible' — Paul Gustave Doré
6. The Inferno, Canto 25, lines 59-61. The other two Look’d on exclaiming. “Ah, how dost thou change, Agnello!” — Paul Gustave Doré
7. the late repenters — Paul Gustave Doré
8. Dante And Virgil In Hell — Paul Gustave Doré
9. The Late Repenters — Paul Gustave Doré
10. The Prideful-Oderisi — Paul Gustave Doré
11. Paolo and Francesca II — Paul Gustave Doré
12. Sordello and Virgil — Paul Gustave Doré
13. Virgil Dante And The Erinyes — Paul Gustave Doré
14. Tumult and Escape — Paul Gustave Doré
15. untitled (1846) — Paul Gustave Doré

topics

1. Tumult and Escape — Paul Gustave Doré

keywords

tone

1. the celestial pilot — Paul Gustave Doré
2. Tumult and Escape — Paul Gustave Doré

main color

1. Sordello and Virgil — Paul Gustave Doré
2. The Burial Of Sarah, Illustration From Dore's 'the Holy Bible' — Paul Gustave Doré
3. The Inferno, Canto 7, lines 118-119. 'Now seest thou, son! The souls of those, whom anger overcame.' — Paul Gustave Doré
4. The Inferno, Canto 25, lines 59-61. The other two Look’d on exclaiming. “Ah, how dost thou change, Agnello!” — Paul Gustave Doré
5. The Inferno, Canto 23, lines 52-54. Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d — Paul Gustave Doré
6. The Inferno, Canto 24, lines 89-92. Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. — Paul Gustave Doré
7. untitled (2211) — Paul Gustave Doré
8. Tumult and Escape — Paul Gustave Doré
9. Dante And Virgil In Hell — Paul Gustave Doré
10. Virgil Dante And The Erinyes — Paul Gustave Doré
11. Sapia — Paul Gustave Doré
12. The Late Repenters — Paul Gustave Doré
13. The Inferno, Canto 26, lines 46-49. The guide, who mark’d How I did gaze attentive, thus began. “Within these ardours are the spirits, each Swath’d in confining fire.” — Paul Gustave Doré
14. The Burial Of Sarah — Paul Gustave Doré
15. Paradise Lost (12) — Paul Gustave Doré
16. untitled (3306) — Paul Gustave Doré
17. The Crucifixion — Paul Gustave Doré
18. dore gustave - (66) — Paul Gustave Doré

other