period

movement

vibe

1. Dante tropieza con Bocca degli Abbati — William Blake
2. The Inferno, Canto 24, lines 89-92. Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. — Paul Gustave Doré
3. The Inferno, Canto 7, lines 118-119. 'Now seest thou, son! The souls of those, whom anger overcame.' — Paul Gustave Doré
4. The Inferno, Canto 25, lines 59-61. The other two Look’d on exclaiming. “Ah, how dost thou change, Agnello!” — Paul Gustave Doré
5. La serpiente de seis pies ataca a Agnelo dei Brunelleschi — William Blake
6. Silenus (or Bacchus) and Satyrs — Peter Paul Rubens, 1616
7. Dante And Virgil In Hell — Paul Gustave Doré
8. The Inferno, Canto 7 — Paul Gustave Doré
9. Inferno — John Flaxman, 1793
10. Inferno Canto 4 — Paul Gustave Doré
11. The Inferno, Canto 18, line 38. Ah! how they made them bound at the first stripe! — Paul Gustave Doré
12. The Inferno, Canto 9, lines 87-89. To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew. — Paul Gustave Doré
13. The Inferno, Canto 33, lines 73-74. Then fasting got The mastery of grief. — Paul Gustave Doré

topics

1. The Inferno, Canto 7, lines 118-119. 'Now seest thou, son! The souls of those, whom anger overcame.' — Paul Gustave Doré
2. The Inferno, Canto 25, lines 59-61. The other two Look’d on exclaiming. “Ah, how dost thou change, Agnello!” — Paul Gustave Doré
3. Thy city heapd with envy to the brim held me in brighter days. Ye citizens were wont to name me Ciacco — Paul Gustave Doré

keywords

1. The Inferno, Canto 33, lines 73-74. Then fasting got The mastery of grief. — Paul Gustave Doré

tone

1. Dante tropieza con Bocca degli Abbati — William Blake
2. The Inferno, Canto 24, lines 89-92. Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. — Paul Gustave Doré
3. The Inferno, Canto 7, lines 118-119. 'Now seest thou, son! The souls of those, whom anger overcame.' — Paul Gustave Doré
4. The Inferno, Canto 25, lines 59-61. The other two Look’d on exclaiming. “Ah, how dost thou change, Agnello!” — Paul Gustave Doré
5. La serpiente de seis pies ataca a Agnelo dei Brunelleschi — William Blake
6. Dante And Virgil In Hell — Paul Gustave Doré
7. The Inferno, Canto 7 — Paul Gustave Doré
8. Inferno Canto 4 — Paul Gustave Doré
9. The Inferno, Canto 18, line 38. Ah! how they made them bound at the first stripe! — Paul Gustave Doré
10. The Inferno, Canto 9, lines 87-89. To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew. — Paul Gustave Doré
11. The Inferno, Canto 33, lines 73-74. Then fasting got The mastery of grief. — Paul Gustave Doré

main color

1. Psyche crossing the Acheron — Max Klinger
2. La serpiente de seis pies ataca a Agnelo dei Brunelleschi — William Blake
3. Inferno — John Flaxman, 1793
4. The Inferno, Canto 18, line 38. Ah! how they made them bound at the first stripe! — Paul Gustave Doré
5. Silenus (or Bacchus) and Satyrs — Peter Paul Rubens, 1616
6. Ephialtes — Paul Gustave Doré
7. The Inferno, Canto 24, lines 89-92. Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. — Paul Gustave Doré

other

1. Dante and Virgil at the Gates of Hell (Illustration to Dante's Inferno) — William Blake
2. The Inferno, Canto 6, lines 49-52. 'Thy city heap’d with envy to the brim, Ay that the measure overflows its bounds, Held me in brighter days. Ye citizens Were wont to name me Ciacco.' — Paul Gustave Doré
3. the styx philippo argenti — Paul Gustave Doré
4. The Inferno, Canto 29, lines 79-81. The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. — Paul Gustave Doré
5. Thy city heap_d with envy to the brim held me in brighter days — Paul Gustave Doré
6. The Cave of Despair — Benjamin West
7. The Styx-Philippo Argenti — Paul Gustave Doré
8. St. Jerome and the Angel — Jusepe de Ribera, 1621