period

movement

1. Interior with a Young Couple — Pieter de Hooch, 1662
2. Interior with a Young Couple — Pieter de Hooch, 1662
3. A Musical Party in a Courtyard — Pieter de Hooch, 1677
4. The Drinker — Pieter de Hooch
5. Portrait of a Family in a Courrtyard in Delft — Pieter de Hooch, 1658
6. The Courtyard of a House in Delft — Pieter de Hooch, 1658
7. Woman and Child in a Courtyard — Pieter de Hooch, 1660
8. A Man with Dead Birds, and Other Figures, in a Stable — Pieter de Hooch, 1655
9. Woman and Child with Serving Maid — Pieter de Hooch, 1665
10. Village House — Pieter de Hooch, 1665
11. The Bedroom — Pieter de Hooch, 1658
12. Woman with a Water Pitcher, and a Man by a Bed — Pieter de Hooch, 1667
13. A Woman Peeling Apples — Pieter de Hooch, 1663

vibe

1. Interior with a Young Couple — Pieter de Hooch, 1662
2. A Musical Party in a Courtyard — Pieter de Hooch, 1677
3. The Drinker — Pieter de Hooch
4. Portrait of a Family in a Courrtyard in Delft — Pieter de Hooch, 1658
5. A Mother Delousing her Child — Pieter de Hooch, 1660
6. Woman and Child with Serving Maid — Pieter de Hooch, 1665
7. Les joueurs de cartes — Pieter de Hooch
8. Village House — Pieter de Hooch, 1665
9. Woman with a Water Pitcher, and a Man by a Bed — Pieter de Hooch, 1667
10. A Woman Peeling Apples — Pieter de Hooch, 1663

topics

1. A Man with Dead Birds, and Other Figures, in a Stable — Pieter de Hooch, 1655
2. A Mother Delousing her Child — Pieter de Hooch, 1660
3. The Courtyard of a House in Delft — Pieter de Hooch, 1658
4. Woman and Child in a Courtyard — Pieter de Hooch, 1660

keywords

1. A Man with Dead Birds, and Other Figures, in a Stable — Pieter de Hooch, 1655
2. Interior with Figures — Pieter de Hooch, 1663
3. Village House — Pieter de Hooch, 1665
4. Interior with a Young Couple — Pieter de Hooch, 1662
5. A Mother Delousing her Child — Pieter de Hooch, 1660
6. Woman and Child with Serving Maid — Pieter de Hooch, 1665
7. Interior with a Young Couple — Pieter de Hooch, 1662
8. The Drinker — Pieter de Hooch
9. Woman and Child in a Courtyard — Pieter de Hooch, 1660
10. The Love Letter — Johannes Vermeer, 1670

tone

1. A Man with Dead Birds, and Other Figures, in a Stable — Pieter de Hooch, 1655

main color

1. Woman and Child with Serving Maid — Pieter de Hooch, 1665
2. The Archangel Gabriel Appearing to Zacharias, Nicolaes de Giselaer, 1625 — Nicolaes De Geijselers, Nicolaes De Geyselers, Nicolaas De Gijselaer, Nicolaas De Gijzelaer, Nicolaes De Gyselaer, Nicolaas De Gyzelaer, Nicolaes De G, 1625
3. The Courtyard of a House in Delft — Pieter de Hooch, 1658
4. A Musical Party in a Courtyard — Pieter de Hooch, 1677
5. Portrait of a Family in a Courrtyard in Delft — Pieter de Hooch, 1658
6. Village House — Pieter de Hooch, 1665
7. A Woman Peeling Apples — Pieter de Hooch, 1663
8. The Bedroom — Pieter de Hooch, 1660
9. A Man with Dead Birds, and Other Figures, in a Stable — Pieter de Hooch, 1655
10. Woman with a Water Pitcher, and a Man by a Bed — Pieter de Hooch, 1667
11. Interior with Figures — Pieter de Hooch, 1663
12. Woman and Child in a Courtyard — Pieter de Hooch, 1660
13. The Bedroom — Pieter de Hooch, 1658
14. Man Handing a Letter to a Woman in the Entrance Hall of a House, Pieter de Hooch, 1670 — Pieter de Hooch, 1670
15. Espantosa y felicísima victoria concedida del cielo al Señor Don Juan de Austria en el golfo de Lepanto, de la poderosa armada otomana, en el año de nuestra salvación de MDLXXII (Astonishing and most felicitous victory granted by the heavens to Don J.... — jerónimo corte-real de sousa, 1575
16. The Love Letter — Johannes Vermeer, 1670
17. Interior with a Young Couple — Pieter de Hooch, 1662
18. Interior with a Young Couple — Pieter de Hooch, 1662
19. The Drinker — Pieter de Hooch

other

1. The Household of Philip IV, 'Las Meninas' — Juan Bautista Martínez del Mazo
2. Le Ballon ( La Ville de Paris investie, confie à l'air son appel à la France ). Allégorie à la défense de Paris (1870 1871). Siège de Paris — Pierre Cécile Puvis de Chavannes
3. An Interior, with a Woman drinking with Two Men, and a Maidservant — Pieter de Hooch, 1658