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  1. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
  2. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
  3. Wolf hunting — vincentas smakauskas, 1800
  4. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
  5. Study for the Baptism of Christ — Elisabetta Sirani, 1658
  6. Page from a sketchbook 4 — George Romney
  7. Study of a Woman Spinning and Five Studies of Hands — Jean-Antoine Watteau, 1700
  8. Sketch 10 — George Romney
  9. Lamentation over the Dead Christ — Raphael, 1505
  10. Study of hands (various studies) — Leonardo da Vinci
  11. The Raising of Lazarus — Salvator Rosa
  12. Sketch 28 — George Romney
  13. Sketch 30 — George Romney
  14. Page from a sketchbook 78 — George Romney
  15. Study for an Angel — Tanzio da Varallo, 1631
  16. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
  17. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
  18. Page from a sketchbook 77 — George Romney
  19. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Federico Fiori Barocci
  20. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Federico Fiori Barocci
  21. Page from a sketchbook 52 — George Romney
  22. Holy Family in a landscape — Guercino
  23. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Federico Fiori Barocci, 1579

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