period
movement
- Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies
- Studies for a Figure Lifted from a Grave or Pit by Cords
- David with the head of Goliath
- Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
- Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio)
- Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche)
- Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)
vibe
topics
- Studies after Michelangelo's 'Last Judgement' in the Sistine Chapel
- Studies for a Figure Lifted from a Grave or Pit by Cords
- Study of Apollo
- One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
- Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)
- Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)
- Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
- Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche)
- Study of a Woman Spinning and Five Studies of Hands
keywords
tone
main color
- David with the head of Goliath
- Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
- Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
- Two male figure studies and St Peter
- Study for an ignudo
- Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio)
- Adam and Eve
- Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche)
- Study of Apollo
- Study nuts
- Euridice uccisa dal serpente alla presenza di Aristeo
- Studies after Michelangelo's 'Last Judgement' in the Sistine Chapel
- Study of a Woman Spinning and Five Studies of Hands
- One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
- Study of Male Nudes Fighting
- Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)
- Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies
- Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)
- Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)
- Madonna with Child
- Desdemona
- Studies for a Figure Lifted from a Grave or Pit by Cords
- The Lamentation of Christ (recto)
- Bust of a Young Man (recto)