period

movement

1. Drapery of a kneeling figure, back view — Pietro da Cortona
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
3. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
4. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Federico Fiori Barocci
5. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Federico Fiori Barocci
6. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Federico Fiori Barocci, 1579

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topics

1. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
2. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
3. Study for the Madonna with the Fruitbasket — Leonardo da Vinci, 1478
4. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
5. R: Horses, soldiers, mechanics and the Angel of the Annunciation. V: Prancing horses and Nero — Leonardo da Vinci, 1503
6. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
7. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
8. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
9. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Federico Fiori Barocci

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tone

main color

1. Study for the Madonna with the Fruitbasket — Leonardo da Vinci, 1478
2. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
3. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
4. La Divina Commedia, Purgatorio XXXI. The earthly paradise: Dante — Sandro Botticelli
5. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
6. Romains combattant et Études pour la course de chevaux libres — Théodore Géricault
7. La Divina Commedia, Purgatorio XVII Ascent to the fourth ring of Purgatory: Vergil explains Purgatory to Dante — Sandro Botticelli
8. Sketch 28 — George Romney
9. Two male figure studies and St Peter — Pisanello
10. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
11. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
12. R: Horses, soldiers, mechanics and the Angel of the Annunciation. V: Prancing horses and Nero — Leonardo da Vinci, 1503
13. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Federico Fiori Barocci
14. Studies of Nudes (verso) — Michelangelo Buonarroti, 1503
15. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
16. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
17. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Federico Fiori Barocci
18. Study nuts — Fernand Léger, 1931
19. Study sheet with Madonna and child, hand and sleeve — Albrecht Dürer
20. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Federico Fiori Barocci, 1579
21. Drapery of a kneeling figure, back view — Pietro da Cortona
22. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
23. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
24. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579

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