period
- The Eye, 1945
- The Sacrament of the Last Supper
- Sleep, 1937
- Allegory of an American Christmas, 1934
- Dalí the hallucinogenic toreador, oil on canvas, th
- Surrealist Architecture, circa 1932
- Design for 'Destino', 1947
- Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs, 1938
movement
- The Eye, 1945
- Sleep
- Giant Flying Demi-Tasse with Incomprehensible Appendage Five Meters Long
- Untitled (Stereoscopic Painting), 1972
- Sleep, 1937
- Angelus
- Dalí the hallucinogenic toreador, oil on canvas, th
- Surrealist Architecture, circa 1932
- Untitled (634)
- Design for 'Destino', 1947
- Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs, 1938
- Decalcomania, 1936
- Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971
topics
keywords
tone
- Assumpta Canaveral, 1956
- The Eye, 1945
- Giant Flying Demi-Tasse with Incomprehensible Appendage Five Meters Long
- The Sacrament of the Last Supper
- The Sublime Moment, 1938
- Surrealist Architecture
- Wine Glass and Boat, 1956
- Allegory of an American Christmas, 1934
- Dalí the hallucinogenic toreador, oil on canvas, th
- Surrealist Architecture, circa 1932
- Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs, 1938
- Decalcomania, 1936
- Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971
- Jug, 1922-23
main color
- Assumpta Canaveral, 1956
- Sleep
- Still Life
- Jug, 1922-23
- Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971
- Untitled (Stereoscopic Painting), 1972
- Sleep, 1937
- The Sacrament of the Last Supper
- Dalí the hallucinogenic toreador, oil on canvas, th
- The Eye, 1945
- Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs, 1938