period

1. After the Head of 'Giuliano di Medici — Salvador Dalí, 1982

movement

1. Mad Mad Mad Minerva - Illustration for 'Memories of Surrealism', circa 1968 — Salvador Dalí
2. Dalí the weaning of furniture-nutrition — Salvador Dalí, 1934
3. Portrait of Countess Ghislaine d'Oultremont, 1960 — Salvador Dalí
4. Angelus — Salvador Dalí, 1932
5. Dalí the hallucinogenic toreador, oil on canvas, th — Salvador Dalí, 1970
6. Saint Surrounded by Three Pi-Mesons — Salvador Dalí, 1956
7. Dalí christ of st. john of the cross, oil on canvas, t — Salvador Dalí, 1951
8. Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971 — Salvador Dalí
9. After the Head of 'Giuliano di Medici — Salvador Dalí, 1982

vibe

1. Portrait of My Father, circa 1921 — Salvador Dalí

topics

keywords

1. Portrait of Countess Ghislaine d'Oultremont, 1960 — Salvador Dalí

tone

1. untitled (2730) — Edvard Munch
2. Hermann Schlittgen — Edvard Munch
3. untitled (5577) — Edvard Munch

main color

1. Dalí christ of st. john of the cross, oil on canvas, t — Salvador Dalí, 1951
2. Portrait of Monsieur Mori — Suzanne Valadon, 1922
3. Hermann Schlittgen — Edvard Munch
4. Portrait of Alfonso Agnoletto — Giuseppe Amisani, 1938
5. Portrait of Friedrich Ebert — Lovis Corinth, 1924
6. The Violinist Dancia — henri de toulouse-lautrec, 1900
7. Roger Martin du Gard — Theo van Rysselberghe, 1926
8. Mad Mad Mad Minerva - Illustration for 'Memories of Surrealism', circa 1968 — Salvador Dalí
9. Lucien Guitry — jean-édouard vuillard, 1921
10. Wine Glass and Boat, 1956 — Salvador Dalí
11. Saint Surrounded by Three Pi-Mesons — Salvador Dalí, 1956
12. After the Head of 'Giuliano di Medici — Salvador Dalí, 1982
13. untitled (5131) — henri de toulouse-lautrec
14. untitled (2730) — Edvard Munch
15. Portrait of My Father, circa 1921 — Salvador Dalí
16. Portrait of Countess Ghislaine d'Oultremont, 1960 — Salvador Dalí

other

1. Dalí meditation on the harp,1932-34, salvador dalí-museum,st — Salvador Dalí
2. The Sacrament of the Last Supper — Salvador Dalí
3. untitled (484) — Chaim Soutine