period
- Apparition of My Cousin Carolinetta on the Beach at Rosas, 1934
- The Birth of Liquid Fears
- Eggs on the Plate Without the Plate, 1932
- Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder, 1933
- Fried Egg on the Plate without the Plate
- Design for a poster for 'The Secret Life of Salvador Dali'
- Surrealist Architecture
- Mediumnistic-Paranoiac Image, 1935
- The Wash Basin
movement
- Apparition of My Cousin Carolinetta on the Beach at Rosas, 1934
- The Birth of Liquid Fears
- Eggs on the Plate Without the Plate, 1932
- Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder, 1933
- Fried Egg on the Plate without the Plate
- Untitled (Stereoscopic Painting), 1972
- Design for a poster for 'The Secret Life of Salvador Dali'
- Angelus
- Seated Figure Contemplating a 'Great Tapeworm Masturbator', 1981
vibe
- Apparition of My Cousin Carolinetta on the Beach at Rosas, 1934
- The Birth of Liquid Fears
- The Hour of the Crackled Visage, 1934
- Eggs on the Plate Without the Plate, 1932
- Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder, 1933
- Fried Egg on the Plate without the Plate
- Untitled (Stereoscopic Painting), 1972
- Mediumnistic-Paranoiac Image, 1935
- The Wash Basin
topics
tone
- Assumpta Canaveral, 1956
- The Birth of Liquid Fears
- Eggs on the Plate Without the Plate, 1932
- Fried Egg on the Plate without the Plate
- Surrealist Architecture
- Mediumnistic-Paranoiac Image, 1935
- Untitled (Surrealist Angel), circa 1969
- Seated Figure Contemplating a 'Great Tapeworm Masturbator', 1981
- Apparition of My Cousin Carolineta on the Beach at Rosas, 1933
main color
- Surrealist Architecture
- Green Diagonal
- The Wash Basin
- Untitled (861)
- Seated Figure Contemplating a 'Great Tapeworm Masturbator', 1981
- Still-life -
- Apparition of My Cousin Carolinetta on the Beach at Rosas, 1934
- Work
- Apparition of My Cousin Carolineta on the Beach at Rosas, 1933
- Design for a poster for 'The Secret Life of Salvador Dali'
- The Birth of Liquid Fears