period
- Apparition of My Cousin Carolinetta on the Beach at Rosas, 1934
- Sad Barber of Good Times Cruelty
- The Sacrament of the Last Supper
- Design for a poster for 'The Secret Life of Salvador Dali'
- Wine Glass and Boat, 1956
- Mural Painting for Helena Rubinstein (panel 2), 1942
- Dalí the hallucinogenic toreador, oil on canvas, th
- The Dream Approaches
vibe
topics
tone
- The Sacrament of the Last Supper
- Anti-Protonic Assumption, 1956
- The Sublime Moment, 1938
- The Transparent Simulacrum of the Feigned Image, 1938
- Mediumnistic-Paranoiac Image, 1935
- Dalí the hallucinogenic toreador, oil on canvas, th
- Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971
- The Dream Approaches
- Atavistic Ruins after the Rain
main color
- The Sacrament of the Last Supper
- Ruin with Head of Medusa and Landscape, 1941
- Sad Barber of Good Times Cruelty
- Atavistic Ruins after the Rain
- Hairdresser Depressed by the Persistent Good Weather, 1934
- The Transparent Simulacrum of the Feigned Image, 1938
- infernal machine
- The Dream Approaches
- Mediumnistic-Paranoiac Image, 1935
- Design for a poster for 'The Secret Life of Salvador Dali'
- Nude in the Desert Landscape
- Untitled (Stereoscopic Painting), 1972
- Dalí the hallucinogenic toreador, oil on canvas, th
- Apparition of My Cousin Carolinetta on the Beach at Rosas, 1934
- Wine Glass and Boat, 1956
- The Sublime Moment, 1938
- Angelus
- Indefined Divisibility
- Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971
- Atavistic Vestiges After the Rain, 1934
- Dalí meditation on the harp,1932-34, salvador dalí-museum,st
- Still Life
- Mural Painting for Helena Rubinstein (panel 2), 1942