period

movement

1. WHITE LOTUS CALLIGRAPHY — deng fen

vibe

topics

1. Folding screen with Calligraphy of the Poem (2) — yi gwangsa(圓嶠 李匡師)
2. Folding screen with Calligraphy(東宮玉帳山銘) 6 — Samman Lee, 1830

keywords

1. Folding screen with Calligraphy(東宮玉帳山銘) 6 — Samman Lee, 1830
2. CALLIGRAPHY COUPLET IN CLERICAL SCRIPT — yang xian

tone

main color

1. Folding screen with Calligraphy(東宮玉帳山銘) 7 — Samman Lee, 1830
2. Folding screen with Calligraphy(東宮玉帳山銘) 8 — Samman Lee, 1830
3. Folding screen with Calligraphy(東宮玉帳山銘) 6 — Samman Lee, 1830
4. Folding screen with Calligraphy(東宮玉帳山銘) 4 — Samman Lee, 1830
5. Passage from the Sutra of Perfect Enlightenment — zekkai chūshin, 1405
6. CALLIGRAPHY IN RUNNING SCRIPT — Wang Duo
7. Calligraphy of Ma-zu — rōgen tenshin zenji, taihō enkan kokushi, 1607
8. CALLIGRAPHY IN XINGSHU — liang tongshu
9. Chinese Poem to Celebrate a Senior Monk’s Sixtieth Birthday — duzhan xingying, 701
10. Calligraphy Couplet in Xingshu — weng fanggang
11. CALLIGRAPHY IN RUNNING SCRIPT — qian feng
12. WHITE LOTUS CALLIGRAPHY — deng fen
13. CALLIGRAPHY IN RUNNING SCRIPT — weng fanggang
14. Calligraphy of the Character — yinyuan longqi, 1671
15. CALLIGRAPHY COUPLET IN RUNNING SCRIPT — tang yifen
16. CALLIGRAPHY IN RUNNING SCRIPT — zhang yuzhao
17. COPY OF MI FU'S COLOPHON TO OUYANG XUN'S CALLIGRAPHY — Wang Duo
18. CALLIGRAPHY COUPLET IN CLERICAL SCRIPT — yang xian
19. Folding screen with Calligraphy of the Poem (2) — yi gwangsa(圓嶠 李匡師)
20. Running Script — Xu Beihong
21. CALLIGRAPHY COUPLET IN XINGSHU — zhou zuoren

other

1. Buddhist Maxim on the Saving Power of Amida — reisai gukyoku, 401
2. CALLIGRAPHY IN RUNNING SCRIPT — he shaoji
3. Poem Written by King Hyojong — king hyojong, 1644