period
movement
- Christ as Saviour of the World, Anthony van Dyck (after), c. 1620 - c. 1630
- Portrait of Nicolaes van der Borght
- The Lamentation
- Entry of Christ into Jerusalem
- The Arrest of Christ
- Portrait of Hendrik Liberti (c. 1610-c. 1669), Anthony van Dyck (after), c. 1700
- The Blinding of Samson
- Portrait of a Nobleman, possibly Adriaan van der Borcht, Anthony van Dyck, 1634 - c. 1635
- The Betrayal of Christ
- Portrait of Jan Gaspar Gevaerts (1593-1666), Anthony van Dyck (after), c. 1630 - c. 1650
- The Capture of Christ
vibe
topics
tone
main color
- The Arrest of Christ
- A witches' sabbath
- The Lamentation of Christ
- Portrait of a Nobleman, possibly Adriaan van der Borcht, Anthony van Dyck, 1634 - c. 1635
- The Betrayal of Christ
- Portrait of Father Jean-Charles della Faille, S.J.
- Portrait of a Male Member of the Van der Borcht Family, Anthony van Dyck (follower of), c. 1635
- The Blinding of Samson
- Crucifixion
- Adoration of the Shepherds 2
- The Death of Darius (detail)
- The Betrayal of Christ
- The Capture of Christ
- The Capture of Christ
- Portrait of Nicolaes van der Borght
- Strolling players
- Fuite de Darius
- The Lamentation
- Jacqueline van Caestre
- Portrait of Hendrik Liberti (c. 1610-c. 1669), Anthony van Dyck (after), c. 1700
- Entry of Christ into Jerusalem
- Portrait of Jan Gaspar Gevaerts (1593-1666), Anthony van Dyck (after), c. 1630 - c. 1650
- Christ as Saviour of the World, Anthony van Dyck (after), c. 1620 - c. 1630