period

movement

1. Blast Furnace 2 — Thomas Hart Benton

vibe

topics

1. Study of hands (various studies) — Leonardo da Vinci
2. Drapery Study. Study for Semiramis Building Babylon — Edgar Degas
3. Figure studies — Leonardo da Vinci, 1505
4. Garment study for a seated figure — Leonardo da Vinci, 1470
5. Study of a Woman Spinning and Five Studies of Hands — Jean-Antoine Watteau, 1700

keywords

tone

main color

1. Study for the left hand of 'The Woman clothed with the Sun' — Benjamin West
2. The Inferno, Canto 24, lines 89-92. Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. — Paul Gustave Doré
3. Dance — Salvador Dalí, 1944
4. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Federico Fiori Barocci, 1579
5. Drapery Study. Study for Semiramis Building Babylon — Edgar Degas
6. Sinarquistas — Diego Rivera
7. The Inferno, Canto 7, lines 65-67. 'Not all the gold, that is beneath the moon, Or ever hath been, of these toil-worn souls Might purchase rest for one.' — Paul Gustave Doré
8. Blast Furnace 2 — Thomas Hart Benton
9. Minos — William Blake
10. Study of hands (various studies) — Leonardo da Vinci
11. Study after the Spinario (recto) — jan gossart, 1509
12. The Golden Age - Family of Marsupial Centaurs — Salvador Dalí, 1941
13. Study of Feet and Hands — Théodore Géricault, 1818
14. Sunrise - — jeno gabor
15. Garment study for a seated figure — Leonardo da Vinci, 1470
16. Study of a Woman Spinning and Five Studies of Hands — Jean-Antoine Watteau, 1700
17. The Four Horsemen of the Apocalypse — andré fougeron, 1937
18. Untitled — William Blake
19. Figure studies — Leonardo da Vinci, 1505
20. Untitled 4 — Paul Jackson Pollock
21. Study, Landscape 7 — Thomas Cole
22. Studies after the Model — jan andrea lievens jan lievens, 1660
23. Mujer con vela, combate entre el toro y el caballo — Pablo Picasso

other

1. Study of a Head Looking Upward (recto) — Michelangelo Buonarroti, 1504