Wheel of Affinities — Drawing for Point and Line to Plane — Wassily Wassilyevich Kandinsky

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Wheel of Affinities

Let one painting lead you to the next

Welcome. Every artwork orbiting this wheel shares a thread with “Drawing for Point and Line to Plane”. Take your time, follow what catches your eye, and let curiosity carry you from one masterpiece to another.

How to explore

Drag left or right to spin the wheel.
Drag up or down — or scroll — to zoom in and out.
Hover an artwork to reveal its title and affinities; click to open it.

The eight directions: Each spoke is a kind of kinship — period, movement, vibe, topics, keywords, tone and main colour, plus “other” for the freer, more surprising matches.
Distance from the centre: The closer a work sits to the heart of the wheel, the stronger its bond with this painting. Works near the rim are looser, more unexpected echoes — often the most rewarding to discover.

period

movement

vibe

topics

keywords

tone

main color

other

period

Small Worlds XI — Wassily Wassilyevich Kandinsky, 1922
Drawing for Point and Line on Plan — Wassily Wassilyevich Kandinsky, 1925
Conglomerat — Wassily Wassilyevich Kandinsky, 1943
Drawing for Etching II — Wassily Wassilyevich Kandinsky, 1916
Mild process — Wassily Wassilyevich Kandinsky, 1928
Improvisation 28 (second version) — Wassily Wassilyevich Kandinsky

movement

Schematique Drawing for Komposition III — Wassily Wassilyevich Kandinsky, 1910

vibe

Drawing for Point and Line on Plan — Wassily Wassilyevich Kandinsky, 1925
Schematique Drawing for Komposition III — Wassily Wassilyevich Kandinsky, 1910
Mild process — Wassily Wassilyevich Kandinsky, 1928
Study for Auf Weiss II — Wassily Wassilyevich Kandinsky, 1922
Untitled — Wassily Wassilyevich Kandinsky, 1915
Drawing for Point and Line to Plane — Wassily Wassilyevich Kandinsky, 1925

topics

Drawing for Point and Line to Plane — Wassily Wassilyevich Kandinsky, 1925
Suprematistic composition (Combined feeling: Circle and square) — Kazimir Malevich, 1927
Untitled — Wassily Wassilyevich Kandinsky, 1915
Drawing for Point and Line on Plan — Wassily Wassilyevich Kandinsky, 1925
Drawing for Point and Line on Plan — Wassily Wassilyevich Kandinsky, 1925

keywords

Drawing for Point and Line to Plane — Wassily Wassilyevich Kandinsky, 1925
Untitled — Wassily Wassilyevich Kandinsky, 1926
Drawing for Point and Line on Plan — Wassily Wassilyevich Kandinsky, 1925
Untitled — Wassily Wassilyevich Kandinsky, 1915

tone

Small Worlds XI — Wassily Wassilyevich Kandinsky, 1922
Drawing for Point and Line on Plan — Wassily Wassilyevich Kandinsky, 1925
Drawing for Point and Line on Plan — Wassily Wassilyevich Kandinsky, 1925
Schematique Drawing for Komposition III — Wassily Wassilyevich Kandinsky, 1910
Mild process — Wassily Wassilyevich Kandinsky, 1928
Study for Auf Weiss II — Wassily Wassilyevich Kandinsky, 1922
Untitled — Wassily Wassilyevich Kandinsky, 1915

main color

Drawing for Point and Line to Plane — Wassily Wassilyevich Kandinsky, 1925
Drawing for Point and Line on Plan — Wassily Wassilyevich Kandinsky, 1925
Untitled — Wassily Wassilyevich Kandinsky, 1926
Composition suprematistic elements (Feeling of the flight) — Kazimir Malevich, 1927
Drawing for Painting with White Border (Moscow) — Wassily Wassilyevich Kandinsky, 1913
Suprematist Composition in the Cosmos — Lazar Markovich Khidekel, 1922
Wall drawing #338: Two part drawing. The wall is divided vertically into two parts. Each part is divided horizontally and vertically into four equal parts. 1st part: Lines in four directions, one direction in each quarter. 2nd part: Lines in four dir.... — solomon lewitt, 1971
Abstract church — Theo van Doesburg, 1915
Untitled sketch — altan gürman
Study for Auf Weiss II — Wassily Wassilyevich Kandinsky, 1922
Suprematistic composition (Combined feeling: Circle and square) — Kazimir Malevich, 1927
Drawing for Etching II — Wassily Wassilyevich Kandinsky, 1916
Mild process — Wassily Wassilyevich Kandinsky, 1928
Schematique Drawing for Komposition III — Wassily Wassilyevich Kandinsky, 1910
Untitled — Wassily Wassilyevich Kandinsky, 1915
Untitled — Man Ray, 1908
Combined Suprematistic Composition. (Feeling of Metallic Sounds - Dynamic) (Pale - Metallic Colour) — Kazimir Malevich, 1927
Drawing for Point and Line on Plan — Wassily Wassilyevich Kandinsky, 1925
First Abstract Watercolor, Collection of Mad — Wassily Wassilyevich Kandinsky, 1910
Crossing — Wassily Wassilyevich Kandinsky, 1928
Small Worlds XI — Wassily Wassilyevich Kandinsky, 1922

other

Final Study for Rolling After — Josef Albers, 1932