period

movement

1. St John the Evangelist — Jacopo Bellini, 1430

vibe

topics

1. High Altar of St Mary (Jerome) — wit stwosz, 1477
2. St John the Evangelist — Jacopo Bellini, 1430

keywords

1. High Altar of St Mary (Jerome) — wit stwosz, 1477
2. High Altar of St Mary (a horse) — wit stwosz, 1477
3. St John the Evangelist — Jacopo Bellini, 1430

tone

main color

1. Zachariah — john carleton wiggins, 1636
2. Madonna and Child with St. Jerome, St. Joseph and St. Anne — Lorenzo Lotto, 1534
3. High Altar of St Mary (detail) — wit stwosz, 1477
4. Saint mark — giovanni battista cima da conegliano
5. Sainte Geneviève — cornu sébastien melchior
6. High Altar of St Mary (Crucifixion) — wit stwosz, 1477
7. The second view of the altar. St Anthony Visiting St Paul the Hermit in the Desert (left), The Temptation of St. Anthony (right). Central part are carved figures of St. August, St. Anthony, St. Jerome; bottom part Jesus with 12 Apostles. — matthias grünewald, 1515
8. High Altar of St Mary (a horse) — wit stwosz, 1477
9. St John the Evangelist — Jacopo Bellini, 1430
10. High Altar of St Mary (heads of Joachim and Anne) — wit stwosz, 1477
11. SAINT JACQUES — nicola di maestro antonio d'ancona
12. The Virgin Annunciate [middle right panel] — Cosmè Tura, 1480
13. High Altar of St Mary (Resurrection) — wit stwosz, 1477
14. St. Gregory, St. Maurus, St. Papianus and St. Domitilla — Peter Paul Rubens
15. High Altar of St Mary (Jerome) — wit stwosz, 1477
16. burne jones edward sybil — Edward Coley Burne-Jones
17. untitled (3470) — Edward Coley Burne-Jones
18. High Altar of St Mary (detail of the Lamentation) — wit stwosz, 1477
19. The Flémalle Panels — master of flémalle, 1430

other

1. Madonna and Child — robert campin (master of flemalle), 1430
2. Virgin and Child — hans leinberger, 1511
3. High Altar of St Mary (Apostle Peter and Malchus) — wit stwosz, 1477
4. High Altar of St Mary (frame figure) — wit stwosz, 1477
5. Four Saints (from left St. Peter, St. Martha, St. Mary Magdalene, St. Leonard) — Antonio Allegri da Correggio, 1517