period

movement

1. Women Leaning on a Railing — Edgar Degas
2. Women in the Garden — Claude Monet
3. Breton — Zinaida Serebriakova, 1935
4. Woman in Blue — Zinaida Serebriakova, 1934
5. Study Two Women s Heads — Pierre-Auguste Renoir, 1895
6. Portrait S.N.Andronikovoy Halpern — Zinaida Serebriakova, 1924
7. Two Women in a Meadow - Sunset at Eragny. — Camille Pissarro, 1897
8. Self-portrait — Zinaida Serebriakova, 1930

vibe

topics

1. Portrait S.N.Andronikovoy Halpern — Zinaida Serebriakova, 1924
2. Self-portrait — Zinaida Serebriakova, 1930
3. Breton — Zinaida Serebriakova, 1935
4. A Pair Of Portraits Depicting Models — Louis Ritman
5. Self-portrait — Paula Modersohn-Becker
6. Portrait of Gertrude Sanford — Sir William Newenham Montague Orpen, 1922
7. Portrait of Annette — Charles Webster Hawthorne, 1929
8. Woman in Blue — Zinaida Serebriakova, 1934
9. Women Working in Wheat Field — vincent willem van gogh, 1890
10. Breton Women with Parasols — Émile Bernard
11. Two Women in a Meadow - Sunset at Eragny. — Camille Pissarro, 1897

keywords

tone

main color

1. Old Women at Arles (also known as Women from Arles in the Public Gardens, The Mistral) — Eugène Henri Paul Gauguin, 1888
2. Three Women Cutting Grass — Camille Pissarro, 1886
3. Four Breton Women (also known as Breton Women Chatting) — Eugène Henri Paul Gauguin, 1886
4. Women cooking, washing and reading to children, and studies of two women — Camille Pissarro
5. Two Women in a Meadow - Sunset at Eragny. — Camille Pissarro, 1897
6. Two Women in a Rowboat — Pierre-Auguste Renoir, 1880
7. Women Working in Wheat Field — vincent willem van gogh, 1890
8. Woman in Blue — Zinaida Serebriakova, 1934
9. Portrait Z.N. Martynovskaya — Zinaida Serebriakova, 1961
10. Breton — Zinaida Serebriakova, 1935
11. A Pair Of Portraits Depicting Models — Louis Ritman
12. Poppet John (1912–1997) — Augustus Edwin John, 1940

other

1. Portrait de Madame Paul Thoby — lesage pierre alexis
2. Young Women from the Village — Gustave Courbet, 1851
3. A Woman (Sarah) — william patrick roberts, 1927