Moving up to the Start
Oil On Canvas
WallArt
Impressionistic Landscape
89.0 x 119.0 cm
The Munnings Art Museum
A Moment of Anticipation: Munnings Captures the Thrill of the Race
Alfred James Munnings’s “Moving Up to the Start,” painted in 1907, isn't merely a depiction of horses and jockeys; it’s a distillation of raw energy, a fleeting capture of anticipation before the thunder of hooves and the roar of the crowd. This oil on canvas transports us to the heart of Newmarket Racecourse, not just as observers but as participants in the palpable excitement that permeates the scene. Munnings, a master of portraying equine grace and the rural British landscape, expertly utilizes loose brushstrokes and a muted color palette to evoke a sense of immediacy – as if we’ve stepped directly into this pivotal moment.
The composition itself is brilliantly dynamic. The tightly clustered horses in the foreground, poised with nervous energy, draw the viewer's eye towards the distant track, creating a powerful diagonal thrust that emphasizes speed and movement. Munnings deliberately avoids sharp detail, opting instead for an impressionistic approach where the forms of the animals and jockeys are suggested through subtle shifts in color and texture. The hazy background, punctuated by indistinct trees and sky, further contributes to the atmospheric quality, hinting at both the vastness of the countryside and the impending drama.
The Painter’s Technique: Impasto and Evocative Brushwork
Munnings's technique is immediately recognizable. He employs a generous application of paint – a characteristic known as “impasto” – creating a tactile surface where the brushstrokes are clearly visible, adding depth and vibrancy to the scene. Notice how he uses short, broken lines to define the horses’ coats and manes, conveying their movement with remarkable fluidity. The color choices are deliberately restrained; earthy greens, browns, and yellows dominate, punctuated by flashes of red and orange in the jockeys' silks – colors that instantly signal the excitement and spectacle of a race. This careful orchestration of color and texture is central to Munnings’s ability to capture not just what he saw but also the *feeling* of being present at this event.
The painting’s immediacy stems from Munnings's deliberate use of light. It’s diffused and even, suggesting an overcast day – a condition that would have heightened the drama of the race without creating harsh contrasts. This soft lighting allows the viewer to focus on the subjects themselves, emphasizing their power and grace. The subtle variations in tone create a sense of depth and volume, bringing the scene to life with remarkable realism despite its impressionistic style.
A Window into a Vanishing World: Context and Symbolism
“Moving Up to the Start” offers more than just a visual representation of horse racing; it’s a poignant glimpse into a disappearing world. Munnings was deeply committed to preserving the traditions of rural England, particularly the sport of hunting and equestrian pursuits. His work often served as a powerful reminder of a way of life that was rapidly changing in the early 20th century. The painting can be interpreted as a celebration of this heritage, capturing the spirit of camaraderie, skill, and connection to nature that defined these activities.
The title itself – “Moving Up” – is significant. It refers to the horses’ progression towards the starting line, but also suggests a broader sense of upward movement – ambition, progress, and the pursuit of excellence. The painting, therefore, embodies not just the excitement of the race but also the underlying values that motivated those who participated in it. It's a testament to Munnings's ability to imbue his work with layers of meaning, inviting viewers to contemplate both the immediate visual experience and its deeper cultural significance.
A Legacy of Equestrian Art
Sir Alfred James Munnings remains one of Britain’s most celebrated artists, renowned for his masterful depictions of horses. “Moving Up to the Start” exemplifies his unique style – a blend of realism, impressionism, and an unwavering passion for capturing the beauty and drama of the equine world. Reproductions of this iconic painting offer a remarkable opportunity to bring this evocative scene into your home or office, serving as a constant reminder of the thrill of competition, the elegance of horses, and the enduring spirit of rural England.
Sir Alfred James Munnings (1878 – 1959)
Sir Alfred James Munnings (1878-1959): Discover England's foremost horse painter! Explore vibrant Impressionistic scenes of hunting, racing & rural life. A passionate defender of traditional art.
The Munnings Art Museum (Colchester, United Kingdom)
Explore Sir Alfred Munnings' life & art at his former home in Colchester! Discover British sporting paintings, his studio reconstruction & historic gardens – open Wed-Sun until Oct 26th.
About this artwork
- Title: Moving up to the Start
- Artist: Sir Alfred James Munnings
- Original dimensions: 89.0 x 119.0 cm
- Format: Landscape
- Copyright status: Under copyright
- Where to see it: The Munnings Art Museum
- Medium: Oil On Canvas
- Medium type: WallArt
- Creative period: Late Period
- Corpus context: impressionism , hunting traditions
Quick Facts
- Medium: Watercolor on paper
- Dimensions: 32 1⁄2 x 27 3⁄4 in.
- Artistic style: Impressionistic
- Location: National Horseracing Museum
- Year: 1907
- Subject or theme: Horse race
- Influences: British art