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The Masters · Chromatic Profile

Abū
Al-Thanā’ Shihāb Ad-Dīn Sayyid Maḥmūd Ibn ‘Abd Allāh Al-Ḥusaynī Al-Ālūsī Al-Baghdādī

The Luminary of Baghdad: Abū al-Thanā’ Shihāb ad-Dīn Sayyid Maḥmūd ibn ‘Abd Allāh al-Ḥusaynī al-Ālūsī Abū al-Thanā’ Shihāb ad-Dīn Sayyid Maḥmūd ibn ‘Abd Allāh al-Ḥusaynī al-Ālūsī, often simply known as Al-Allusi, stands as a towering figure in 19th-century Islamic scholarship. Born in Baghdad on December …

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Abū Al-Thanā’ Shihāb Ad-Dīn Sayyid Maḥmūd Ibn ‘Abd Allāh Al-Ḥusaynī Al-Ālūsī Al-Baghdādī
The Palette Genome

A portrait built from Abū Al-Thanā’ Shihāb Ad-Dīn Sayyid Maḥmūd Ibn ‘Abd Allāh Al-Ḥusaynī Al-Ālūsī Al-Baghdādī's own colours

Every 2 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.

← Cool · Shadow Warm · Earth Gold · Light →

Bands follow the hue wheel; visually identical tones are merged.

Four-Colour Decomposition
The Chromatic Knot

Every painting, placed on the hue wheel

Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.

0° Red 90° Yellow 180° Cyan 270° Blue saturation →
Reading the Genome

The signature, in numbers