Santi
di Tito
The Architect of Counter-Maniera In the vibrant, shifting landscape of late 16th-century Italy, few figures played as pivotal a role in redefining the visual language of Florence as Santi di Tito. Born in 1536, this master emerged during a period of profound artistic transition, standing …
A portrait built from Santi di Tito's own colours
Every 11 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
