Shivalal
(Active At Udaipur, Second Half Of The 19Th Century; Son Of Tara)
The Enigmatic Brush of Tara’s Son: A Life Dedicated to Miniature Painting The late 19th century in Udaipur, Rajasthan, was a crucible of artistic tradition, and within this vibrant milieu emerged the painter known simply as the son of Tara. While biographical details remain frustratingly …
A portrait built from Shivalal (Active At Udaipur, Second Half Of The 19Th Century; Son Of Tara)'s own colours
Every 2 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
