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Jumana Emil AbboudBorn in Shefa-amer, Galilee, in 1971.She lives and works in Jerusalem, Israel, and Palestine.Born in Palestine and raised in Canada, Jumana Emil Abboud first studied art at the Ontario College of Art in Toronto, and then returned to her homeland, earning her BFA degree from the Bezalel Academy of Art and Design in Jerusalem. From the beginning she has used drawing, video, performance, objects, and text to navigate themes of memory, loss, and resilience. In her work, she poses questions related to memory as read through the body, home and homeland, cultural ritual or practice, and through folklore, folktales, and storytelling. She uses icons and archetypes, geography and language, as both visual and textual tools. Abboud’s work consistently reflects a Palestinian cultural landscape in which the struggle for continuity amid the wider political context necessitates a constant process of metamorphosis and ingenuity. Her video installation The Pomegranate (2005), for example, expresses the notion that a true return is not possible. In a tight close-up on her hands against a stark background, the artist films herself trying to put all the grains of a pomegranate back into their peel, but in the end the fruit bursts, leaving her hands dripping in red juice. In her drawings highlighted by paint, her watercolors, and her installations in various formats, she also conveys the idea of bursting, of fragments, of hybridization enhanced by the mystical and the sacred, where innocence interacts with chaos. For the 2015 Biennale di Venezia, she presents two bodies of work, Night Journey and Landscape, which gather notes, drawings, and paintings in a sensitive and rhizomatic dialogue to create a unique cosmogony. Because the artist is profoundly attached to her native land, women and landscape are her protagonists. The earth and its invisible resources, its hidden stories, are at the heart of her concerns.

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Biografía del artista

Jumana Emil Abboud: Layers of Memory and Landscape

Jumana Emil Abboud, born in Jerusalem in 1971, is a Palestinian artist whose work delves into profound themes of memory, displacement, and the relationship between human experience and the natural world. Her artistic journey has been marked by critical acclaim and international recognition, solidifying her position as a significant voice within contemporary Middle Eastern art. Her formative years in Jerusalem instilled in her an enduring fascination with geological abstraction – translating complex geological formations into evocative visual narratives. This stylistic choice isn't merely aesthetic; it represents a deliberate attempt to capture the intangible essence of place and time, mirroring the experiences of individuals grappling with historical trauma and migration. Her artistic vision is deeply rooted in understanding how landscapes bear witness to human stories, often silently conveying emotions and narratives that defy easy articulation. The influence of artists like Emil Nolde—whose expressive brushstrokes and emotive depictions of nature served as inspiration—is palpable in Abboud’s approach to portraying the environment. Her education included studies at Concordia University Montreal, where she honed her skills in painting and drawing, further refining her technique and expanding her conceptual framework. This academic grounding provided a crucial foundation for her artistic explorations, equipping her with the tools necessary to translate complex ideas into compelling visual representations. Notably, Abboud’s work has garnered prestigious awards including the AFAC Grant and the Pernod Ricard Fellowship, demonstrating the recognition of her talent by influential cultural institutions. Abboud's artistic career gained momentum through participation in prominent international biennales – Sydney Biennial, Venice Biennale, Sharjah Biennial, and Istanbul Biennial – showcasing her distinctive style to a global audience. These exhibitions served as pivotal platforms for establishing Abboud’s reputation as an artist committed to exploring pressing social and political issues within the context of artistic expression. Her inclusion in institutions like the Bahrain National Museum and The Arab World Institute underscored the breadth of her influence and solidified her place among leading contemporary artists. Her exploration of memory and displacement is central to her oeuvre, particularly evident in her series “Ripple I,” a monumental painting that captures the reverberations of geological processes—analogous to the impact of historical events on individual lives. Abboud’s meticulous layering techniques—combining earth wax, pastel, aquarelle and graphite—create textured surfaces that convey both fragility and resilience. The artist's commitment to confronting difficult narratives through art has garnered international acclaim and cemented her legacy as a voice for Palestinian culture and artistic innovation.

**Notable Biennial Exhibitions:** Sydney Biennial, Venice Biennale, Sharjah Biennial, Istanbul Biennial
**Museums Exhibited In:** Bahrain National Museum, The Arab World Institute

Abboud’s dedication to pushing boundaries within art has earned her considerable acclaim and cemented her legacy as an artist who consistently confronts challenging subjects with sensitivity and creativity. Her layered paintings serve as powerful reminders that landscapes hold memories—silent witnesses to displacement and resilience—and that artistic expression can illuminate these profound connections.

Jumana Emil Abboud

1971 - , Israel

Datos clave

Artistic Movement Or Style: Pinturas estratificadas
Date Of Birth: Jerusalem, Israel (1971)
Date Of Death: Living
Full Name: Jumana Emil Abboud
Nationality: Palestina
Notable Artworks: ['Ballad of the lady who lives behind the trees']
Place Of Birth: Shefa-'Amr

Ballad of the lady who lives behind the trees

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