Right there
2014
49.0 x 20.0 cm
Faculty of Arts and Humanities of University of Porto
ジークレー/アートプリント
迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 ( 手描きの絵画を購入
画像を購入)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
Right there
ジークレー/アートプリント
複製画のサイズ
-
合計金額
$ 62
関連作品
アーティストの略歴
Flávio Abel Sousa Cerqueira: Sculpting Memory’s Echoes
Born in São Paulo, Brazil, in 1983, Flávio Abel Sousa Cerqueira has emerged as a compelling voice within contemporary Brazilian visual art. His work isn't merely about depicting figures; it’s an excavation of forgotten narratives, a deliberate confrontation with the lingering shadows of Brazil’s complex past – specifically, the enduring legacy of slavery and its reverberations through social structures. Cerqueira’s artistic journey is deeply intertwined with a commitment to honoring marginalized histories, often employing traditional sculptural techniques like bronze casting to imbue his subjects with an unexpected weight and dignity.
Initially trained as a footballer – he spent several years playing as a central defender for clubs in Portugal including Boavista and Vitória Setúbal – Cerqueira’s transition into sculpture wasn't a sudden shift, but rather a gradual evolution. The discipline of sport, the demanding physicality, and the strategic positioning on the field likely fostered an understanding of form, balance, and the power of presence that now informs his artistic practice. This background is subtly reflected in the monumental scale of some of his pieces, creating a sense of imposing stillness and quiet contemplation.
The Bronze as Testimony
Cerqueira’s choice of bronze is profoundly significant. Bronze, with its association to ancient monuments and enduring permanence, carries a weighty history – it was used for statues celebrating emperors and heroes, often reinforcing dominant narratives. Yet, Cerqueira subverts this tradition by casting figures who are decidedly *anti-heroes*, individuals wrestling with internal conflicts, embodying resilience in the face of adversity, and challenging conventional notions of heroism. The process itself—the meticulous pouring, the slow cooling, the eventual revealing of the finished form—mirrors a painstaking effort to unearth and articulate silenced histories.
His technique is rooted in classical bronze casting methods, particularly the lost-wax process, yet he infuses it with a distinctly contemporary sensibility. The deliberate imperfections – slight asymmetries, subtle textural variations – are not errors but rather evidence of the human hand at work, reminding us that these figures aren’t idealized representations, but tangible embodiments of lived experience.
Echoes of Macunaíma and Brazil's Fractured Identity
Cerqueira’s artistic vision is deeply influenced by Mário de Andrade’s seminal novel, *Macunaíma*. Andrade’s creation, a “hero without any character,” embodies the fragmented nature of Brazilian identity – a nation grappling with its colonial past, racial divisions, and the tension between myth and reality. Cerqueira's figures similarly occupy this liminal space, reflecting the complexities of a society struggling to reconcile its idealized narratives with its painful history. The title “Right There” (referencing one of his most striking works) speaks directly to this struggle – it’s an insistent demand for visibility, for acknowledging the presence and experiences of those historically rendered invisible.
His work frequently explores themes of displacement, marginalization, and resistance. The figures are often depicted in moments of introspective contemplation, suggesting a quiet defiance against systemic oppression. The use of muted palettes – predominantly earthy tones punctuated by flashes of color – further emphasizes the weight of history and the enduring struggle for recognition.
Exhibitions and Recognition
Flávio Cerqueira’s work has garnered increasing attention within Brazil and internationally. He has participated in numerous exhibitions, including a notable showing at the Bologna Children's Book Fair, where his sculptures were presented alongside children’s literature – highlighting the universality of themes related to identity, memory, and social justice. His pieces have been featured in publications such as *Jornal da USP*, underscoring their critical engagement with Brazilian history and culture.
Cerqueira's commitment to preserving and amplifying marginalized voices through his art positions him as a significant contemporary artist pushing the boundaries of sculptural practice while simultaneously confronting Brazil’s complex past. His work serves as a powerful reminder that true progress requires not only acknowledging historical injustices but also actively seeking to give voice to those who have been silenced for far too long.
flávio abel sousa cerqueira
1983 - , Brazil
基本情報
- Artistic Movement Or Style: Abstract Expressionism
- Artists Who Influenced This Artist: ['None],\n "Artists or movements influenced by this artist": [None']
- Date Of Birth: August 23, 1981
- Full Name: Flávio Abel Sousa Cerqueira
- Nationality: Brazilian
- Notable Artworks:
- Right there
- Flávio abel sousa cerqueira
- Place Of Birth: São Paulo, Brazil

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。