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Grand panorama of Lisbon - Ribeira Royal Palace

A breathtaking 1700 panoramic view of pre-earthquake Lisbon by Gabriel del Barco captures the vibrant Baroque spirit of the Tagus riverfront, offering a rare chance to possess this historical masterpiece.

Discover Gabriel del Barco’s stunning Lisbon panoramas & ceiling paintings! Explore 17th-century Portugal's beauty through his detailed art. #GabrielDelBarco #LisbonArt #Azulejo

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迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 (手描きの絵画を購入 手描きの絵画を購入デジタル画像販売へ切り替え デジタル画像販売へ切り替え)

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合計金額

$ 62

reproduction

Grand panorama of Lisbon - Ribeira Royal Palace

ジークレー/アートプリント

複製画のサイズ

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合計金額

$ 62

This extraordinary work, one of the most important in the collection of the National Azulejo Museum, is a unique iconographic document for the history of Lisbon, for it shows the most complete view of Lisbon from the River Tagus before the earthquake that destroyed it in 1755. On contemplating this panel we observe buildings and places that survived this cataclysm, as well as others that disappeared. St. George’s Castle, the Monastery of S. Vicente de Fora, Ribeira Palace, the Monastery of Jerónimos or the Tower of Belém, some of the most important buildings of this city are represented here, leading to an immediate identification of the city as the Portuguese capital. The authorship of this work has been associated to one of the first Masters of Baroque azulejo-making, the Spanish painter Gabriel del Barco (b. 1648 - d.?). Measuring nearly 23 metres in length, it depicts 14 km of coastline from Algés to Xabregas, portraying palaces, churches, convents and dwellings but also a whole living experience which can be observed from the more densely populated areas to the fields and outskirts in Alcântara or Belém. If we pay close attention we can feel the movement of the city, the hubbub of Ribeira Market, the activity of the tide windmill, the hustle and bustle of the coaches and sedan chairs, an entire world portrayed for eternity in this painting on ceramic. Formerly applied to one or more rooms in the palace of the Counts of Tentúgal in Rua de Santiago in Lisbon, it would have been applied as an ashlar, that is, on the walls above the skirting, interrupted only by doors and windows. It would provide a bird’s eye view over the city or, if we like, the eye of God, endowing the viewer with a vision of Lisbon

アーティストの略歴

The Visionary of Lisbon: The Artistry of Gabriel del Barco

In the golden twilight of the seventeenth century, a master emerged from the streets of Madrid to reshape the visual landscape of Portugal. Gabriel del Barco, a figure whose life remains partially veiled by the mists of history, stands as a monumental pillar of the Baroque era. Though his early years are shrouded in relative obscurity, his arrival in Lisbon around 1669 signaled a transformative moment for Portuguese art. Trained under the watchful eye of the prominent painter Virgilio Barco Senior, del Barco inherited a profound legacy of dramatic illusionism and meticulous detail. This lineage of mastery allowed him to bridge the gap between Spanish tradition and the burgeoning aesthetic of the Portuguese court, creating a style that was as much about architectural grandeur as it was about emotional depth.

Del Barco’s early career in Lisbon was defined by his breathtaking command of scale. He quickly ascended to prominence through ambitious ceiling commissions, where he utilized the techniques of quadratura—the art of painting architectural perspectives—to dissolve the physical boundaries of a room. These expansive vistas were designed to transport the viewer upward, into a realm of celestial light and atmospheric depth. His ability to manipulate perspective was not merely a technical feat but a spiritual one, effectively creating a "bird's eye view" that offered a sense of divine oversight. This mastery of space would later become his hallmark, allowing him to capture the very soul of the city he came to call home.

A Legacy in Ceramic and Color

As his career matured, del Barco transitioned from the ephemeral heights of ceiling frescoes to the enduring permanence of tile painting. This evolution saw him become a pioneer of the azulejo tradition, a uniquely Portuguese medium where glazed ceramic tiles are assembled into intricate, narrative murals. In this medium, he found a new way to weave storytelling into the very fabric of architecture. His work in ceramics was characterized by a vibrant palette and a rhythmic arrangement of figures that breathed life into static walls. One of his most profound achievements lies in his ability to use the azulejo technique to document history itself.

The sheer scale of his decorative vision is perhaps best exemplified by his monumental panoramic depictions of Lisbon. These works serve as irreplaceable iconographic documents, capturing a city as it existed before the catastrophic earthquake of 1755. Through his tiles, we can wander through a lost world:

  • The Grand Panorama of Lisbon: A staggering work measuring nearly 23 meters in length, documenting 14 kilometers of coastline from Algés to Xabregas.
  • Architectural Preservation: His panels preserve the likenesses of St. George’s Castle, the Monastery of Jerónimos, and the Tower of Belém, providing a window into the pre-earthquake splendor of the Portuguese capital.
  • The Pulse of Urban Life: Beyond mere architecture, his work captures the movement of the Ribeira Market, the activity of tide windmills, and the bustling energy of coaches and sedan chairs.

Symbolism and the Baroque Soul

Beyond the grand panoramas and architectural triumphs, del Barco possessed a rare ability to capture intimacy and quietude within the dramatic Baroque framework. In works such as "The Fisher of Hearts," painted in 1697, we see a departure from the monumental toward the melancholic. Here, the artist employs a palette of soothing blue tones to create a dreamlike atmosphere where time seems suspended. The composition focuses on a moment of profound stillness, using subtle gradations of pigment to master light and texture. This ability to balance the epic with the intimate—to move from the sweeping vistas of a coastline to the contemplative repose of a single figure—is what defines his true genius.

His narrative works, such as his interpretations of Ovid, further demonstrate his skill in ceramic storytelling. In these pieces, each tile functions as a miniature stage, capturing biblical or mythological scenes with a rhythmic vitality that guides the viewer's gaze across a mosaic landscape. Through this fusion of Spanish training and Portuguese medium, Gabriel del Barco did more than just paint; he created enduring legacies of color and light that continue to allow us to glimpse a vanished era of European splendor.

基本情報

  • Artistic Movement Or Style: Baroque
  • Date Of Birth: (Madrid)
  • Date Of Death: Living
  • Full Name: Gabriel del Barco
  • Nationality: Spanish
  • Notable Artworks: ['Grand panorama of Lisbon']
  • Place Of Birth: Madrid, Spain