Screen depicting Musashino Plains
Ink
WallArt
Early Modern
367.0 x 165.0 cm
Iwami Art Museum
A breathtaking view of Mount Fuji and autumn grasses unfolds in this Hasegawa Tohaku masterpiece from the Momoyama period, offering a serene window into Japanese nature for your collection.
Discover Hasegawa Tohaku, a master of Japanese ink painting (1539-1610). Explore his serene landscapes & pivotal role in the Rinpa school's artistic legacy.
ジークレー/アートプリント
迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 ( 手描きの絵画を購入
画像を購入)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
標準サイズ
オーダーメイド
CM
INCH
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
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特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
Screen depicting Musashino Plains
ジークレー/アートプリント
複製画のサイズ
-
合計金額
$ 62
A scene of autumn flowers and grasses, including bush clover, chrysanthemums, bellflowers, boneset, patrinia, eulalia, etc. applied on gold leaf to create an image of a wide plain. Autumn grasses or autumn plains were common subjects for screens but as this pair depicts a new moon on the right-hand screen and Mount Fuji on the left, we know it to be a picture of the Musashino plains. In ancient poems we hear that: ‘Musashino is a place devoid of peaks behind which the moon may set, just white clouds over the grasses’, or ‘Musashino is a place with no mountains behind which the moon may set, it rises and sets in the grasses’. This kind of design became popular in the Momoyama period, later becoming standardized during the Edo period. In this work, the grasses are large and depicted with vigor while Mt. Fuji is portrayed in ink with great grandeur, the entire picture overflowing with the richness of nature, making it clear that it was painted in the period before the subject had been reduced to a formalized pattern.There is no signature or seal to identify the artist, but judging from the style, it is thought to be the work of an artist belonging to the Hasegawa school, one theory being that it is by HASEGAWA Togaku (? - 1623), son-in-law of the school’s founder, HASEGAWA Tohaku (1539-1610), another being that it was carried out by Tohaku himself in cooperation with his eldest son, Kyuzo (1568-93). Works in a similar style by the Hasegawa school can be seen in the wall paintings of Chishaku-in Temple, created by Tohaku’s studio, the ‘Bush Clover and Eulalia Screen’ by Tohaku, or Totaku’s ‘Autumn Grasses Screen’ (Nanzen-ji Temple). The Hasegawa School was founded by HASEGAWA Tohaku (1539 - 1610), who also referred to himself as the ‘Fifth Generation Sesshu’ at the same time that UNKOKU Togan was insisting that he was Sesshu’s true successor.

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
