Mount Penglai with Eight Views of Xiao and Xiang
Silk
Textile
Baroque
801
Early Modern
187.0cm x 54.0cm
メトロポリタン美術館
メトロポリタン美術館(New York, United States of America)
5千年の芸術と文化を体験!メトロポリタン美術館で、古代エジプトの遺産からルネサンス絵画まで、世界中の至宝を発見。ニューヨークの象徴的な美術館へ。 (229文字)
A Symphony of Symbolism: Exploring Kano Tansui Moritsune’s Mount Penglai
The artwork “Mount Penglai with Eight Views of Xiao and Xiang,” attributed to Kano Tansui Moritsune, stands as a testament to the zenith of Edo period Japanese art – specifically, the vibrant aesthetic championed by the Kano school. Executed in silk, this monumental triptych transcends mere depiction; it embodies profound philosophical concepts interwoven with masterful artistic execution. Created around 1801, during Japan’s seclusionist era, the painting reflects a yearning for harmony between humanity and nature, underpinned by Buddhist ideals of longevity and enlightenment.- Subject Matter & Inspiration: The central panel portrays Mount Penglai, considered one of Japan's most sacred mountains and a potent symbol of paradise – a visual echo of Chinese landscape painting traditions that had profoundly influenced Kano artists. Moritsune meticulously rendered the mountain’s rugged peaks and serene valleys, drawing inspiration from the famed “Eight Views of Xiao and Xiang” poems by Wang Wei, which championed contemplative observation and appreciation for the natural world.
- Style & Technique: Characteristic of the Kano school's distinctive style is Moritsune’s bold use of color – particularly crimson and gold – applied with meticulous detail. The artist employed a technique known as “gosyoku-yo,” or six-color painting, utilizing pigments derived from mineral oxides to achieve astonishing luminosity and depth. Firm outlines delineate forms with unwavering precision, creating an image that is both visually arresting and intellectually stimulating.
- Historical Context: Produced during the Edo period (1615–1868), “Mount Penglai” reflects Japan’s cultural engagement with China despite its official policy of isolation. The Kano school's artistic endeavors served as a conduit for disseminating Confucian and Buddhist values, reinforcing social order and spiritual contemplation.
- Symbolism: Beyond the mountain itself, Moritsune incorporated symbolic elements that resonate with Buddhist cosmology. A tortoise symbolizes longevity – mirroring the belief in reincarnation and eternal life – while cranes represent immortality and auspiciousness. Pine trees embody resilience and steadfast virtue, symbolizing perseverance through adversity.
- Size: 187.0cm x 53.7cm
- Provenance: Unknown
作品詳細
- 作品名: Mount Penglai with Eight Views of Xiao and Xiang
- 作家: kano tansui moritsune
- 制作年: 801
- 作品サイズ: 187.0cm x 54.0cm
- 技法: Tall
- 著作権の状態: 著作権保護対象
- 展示場所: メトロポリタン美術館
- 動勢: Baroque
- 時代: Early Modern
- 制作時期: Edo Period
作品詳細
- Movement: Edo Period Painting
- Dimensions: 187.0cm x 53.7cm
- Location: Private Collection
- Medium: Ink and Color on Silk
- Notable elements or techniques: Bold outlines, Gold Leaf
- Subject or theme: Mythical Mountain Landscape
- Artist: kano tansui moritsune