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Theodolite, tripod

Discover Johann Bamberg: German engineer & entrepreneur famed for cathetometers, equatorial telescopes, & the founding of Askania-Werke AG. Explore his legacy!

手描き油彩複製画

当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 (プリントを購入 プリントを購入画像を購入 画像を購入)

標準サイズ
オーダーメイド
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

高さ

特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認(承認)をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
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世界中へ無料エクスプレス配送
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配送時完全保険付
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関税・輸入税の払い戻し保証
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60日間返品保証(製造上の欠陥のみ)
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まとめ買い割引のご案内

合計金額

$ 263

reproduction

Theodolite, tripod

複製技法

複製画のサイズ

-

合計金額

$ 263

The Bamberg theodolite – a surveyors’ instrument for measuring horizontal and vertical angles – is part of CMAG’s Survey Equipment Collection, comprised of 150 artefacts donated by the ACT Office of the Commissioner for Surveys in 2001. It was used in the Federal Capital Territory survey carried out under the first Commonwealth Director of Lands and Surveys, Charles Robert Scrivener, who had played a significant role in the selection and planning of the Federal Capital site. Following the selection of the Yass-Canberra site in 1908, survey teams under Scrivener’s direction completed a contour survey map of the proposed city’s site which was sent to applicants in the Federal Capital design competition. In the 1912-13 Annual Report for the Lands and Survey Branch Scrivener states that a ‘…geodetic survey should be the foundation for every other class of survey, the standard to which all other work would be referred…’. He referred to the 8-inch Bamberg theodolite used for this survey as ‘not now rated very highly’ but acknowledged that the results were fairly satisfactory ‘as the average closing error of the triangles observed, having sides averaging from 5 to 10 miles in length, is 1.1 seconds of an arc’. Scrivener was noted for the high quality of survey documentation and the clarity, legibility and attention to detail of his plans and field notes.

アーティストの略歴

Albert Pinkham Ryder: A Visionary of American Isolation

Born in New Bedford, Massachusetts, on March 19, 1847, Albert Pinkham Ryder remains one of the most enigmatic and intensely private figures in American art. His life was a tapestry woven with self-imposed exile, obsessive dedication to his craft, and an unwavering pursuit of capturing the essence of solitude and memory through his paintings. While he achieved some recognition during his lifetime, Ryder’s work remained largely misunderstood until relatively recently, lauded now for its unique blend of tonalism, symbolism, and a profound exploration of the human psyche.

Ryder's early life offered little indication of the artist he would become. He received minimal formal training, initially studying at the National Academy of Design in New York City but finding it stifling. He briefly worked as a clerk for his brother’s hotel, the Hotel Albert, a bustling Greenwich Village establishment that provided him with a constant stream of subjects and a degree of anonymity. This period fostered a detachment from conventional society, a characteristic that would define much of his later life.

  • Early Influences: Ryder's artistic development was profoundly shaped by his exposure to European art during several trips to France and Belgium between 1877 and 1889. He particularly admired the works of the Barbizon School painters, known for their atmospheric landscapes and emphasis on capturing light and mood. Similarly, he found inspiration in the Dutch Masters, especially their use of muted colors and subtle tonal variations.
  • A Reclusive Existence: Ryder deliberately cultivated a life of isolation, moving frequently between New York City, Boston, and later, to rural areas like Connecticut and Pennsylvania. He rarely exhibited his work publicly and shunned social gatherings, preferring the company of his paintings and the solitude of nature. This deliberate withdrawal contributed to the mystique surrounding his art.
  • Unique Style: Ryder’s distinctive style is characterized by a remarkable sensitivity to light and color, often employing a limited palette of muted tones—grays, browns, blues, and greens—to create atmospheric effects. His compositions frequently feature solitary figures or objects within ambiguous settings, evoking feelings of loneliness, nostalgia, and introspection. He was particularly known for his depictions of interiors, seascapes, and dreamlike visions.

The Language of Dreams: Symbolism in Ryder’s Work

Ryder's paintings are rich in symbolism, though he rarely offered explicit explanations of their meaning. Many scholars believe that his works represent a series of interconnected dreams or memories, filtered through the lens of his own psychological landscape. Recurring motifs—such as windows, mirrors, and solitary figures—suggest themes of confinement, reflection, and the search for identity.

  • Windows and Mirrors: These elements frequently appear in Ryder’s paintings, symbolizing both a desire to escape and an inability to fully break free from one's own self. They represent portals to other worlds or reflections of inner states.
  • Solitary Figures: The presence of lone figures—often depicted in dimly lit interiors or desolate landscapes—underscores the theme of isolation and introspection. These figures seem lost in thought, grappling with their own experiences and emotions.
  • Color as Emotion: Ryder’s use of color is not merely descriptive but deeply expressive. Cool blues and greens often convey feelings of melancholy and loneliness, while warmer tones suggest fleeting moments of hope or memory.

Despite his reclusive nature, Ryder achieved some commercial success during his lifetime, selling paintings to prominent collectors like J. Alden Weir. However, it was only after his death in 1917 that his work began to receive serious critical attention and recognition as a significant contribution to American art.

Legacy and Recognition

Today, Albert Pinkham Ryder is increasingly celebrated for his unique vision and emotional depth. His paintings are prized for their atmospheric qualities, evocative symbolism, and the profound sense of solitude they convey. Ryder’s work has been exhibited in major museums around the world, including the Metropolitan Museum of Art, the National Gallery of Art, and the Art Institute of Chicago.

  • Critical Reassessment: In the mid-20th century, Ryder's art was largely overlooked by mainstream critics. However, starting in the 1970s, a renewed interest in tonalism and American Symbolist painters led to a reassessment of his work’s significance.
  • Influence on Modern Art: Scholars now recognize Ryder as a precursor to modernism, anticipating certain trends in abstraction and psychological exploration that would emerge decades later. His emphasis on subjective experience and the power of color paved the way for future generations of American artists.

Albert Pinkham Ryder’s life and work remain shrouded in mystery, but his paintings continue to resonate with viewers who are drawn to their haunting beauty and profound emotional intensity. He stands as a testament to the transformative power of solitude and the enduring allure of dreams.

johann carl wilhelm anton bamberg

johann carl wilhelm anton bamberg

1847 - 1892 , Germany

基本情報

  • Artistic Movement Or Style: Tonalism, Symbolism
  • Artists Or Movements Influenced By This Artist: ['Modernism']
  • Artists Who Influenced This Artist:
    • William Morris
    • J. Alden Weir
  • Date Of Birth: March 19, 1847
  • Date Of Death: March 28, 1917
  • Full Name: Albert Pinkham Ryder
  • Nationality: American
  • Notable Artworks:
    • The Music-Master
    • The Dives of Pompeii
    • The Fisherman's Friends
    • The Old Man Painting a Sunburst
  • Place Of Birth: New Bedford, Massachusetts