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Eight Daoist Immortals, Cranes, and Gibbons

  • 制作日701
  • 寸法241.0cm x 95.0cm

Discover Kano Tanshin Moromichi’s exquisite Japanese paintings! Master of the Kanō school, known for serene landscapes & iconic figures like Jurōjin. Explore his legacy.

手描き油彩複製画

当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 (プリントを購入 プリントを購入画像を購入 画像を購入)

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特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認(承認)をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
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世界中へ無料エクスプレス配送
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高品質なリネンキャンバス
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配送時完全保険付
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関税・輸入税の払い戻し保証
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忠実な色彩再現保証
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60日間返品保証(製造上の欠陥のみ)
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100% 全額返金保証
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まとめ買い割引のご案内

合計金額

$ 263

reproduction

Eight Daoist Immortals, Cranes, and Gibbons

複製技法

複製画のサイズ

-

合計金額

$ 263

作品解説

The central scroll depicting the Eight Daoist Immortals of ancient China is flanked by paintings of cranes and monkeys. Most of the immortals are easily identifiable. In the foreground are two who are often paired in Japan: Li Tieguai, who creates a miniature image of himself by blowing into the air, and Liu Haichan, with his mythical toad. Behind them is the sole female member of the Eight, He Xiangu, with a peach, symbol of fertility, longevity, and purity. In the background the famous Lu Dongbin paints an image of his dragon adversary in the air, while Zhang Guolao releases a miniature mule from a bag. The old gentleman flying down through the sky on a crane may be Zhongli Quan, considered the leader of the group.The painter of this triptych, Kano Tanshin, was the eldest son of Tan’yū (1602–1674), influential head of the Kano school during the early Edo period, when the school monopolized the patronage of the powerful shoguns.

アーティストの略歴

A Legacy of Serenity: The Life and Art of Kano Tanshin Moromichi

Kano Tanshin Moromichi, a name resonating with the refined elegance of Edo-period Japan, was born in Kyoto in 1785. He wasn’t simply an artist; he was a custodian of tradition, inheriting a lineage steeped in the prestigious Kano school—a dynasty that had shaped Japanese painting for centuries. His life unfolded against a backdrop of relative peace and flourishing arts under the Tokugawa shogunate, yet it was also a period witnessing subtle shifts in artistic sensibilities, a tension Tanshin navigated with remarkable skill. As the seventh generation leader of the Kajibashi branch of the Kano family, he bore the weight of expectation while simultaneously forging his own distinct path within the established conventions. His full name, Kano Tanshin Morimichi, reflects this dual role—a connection to ancestral mastery and a personal identity as a painter of considerable talent.

The Weight of Tradition: Early Life and Training

Tanshin’s father was Kano Tan'yū, and his mother was Tan'yū’s second wife. This familial context immediately positioned him within the heart of the Kano school’s Kyoto branch. The Kano school wasn’t merely a style; it was an institution—a network of workshops, patrons, and established techniques. Tanshin’s early training would have been rigorous, focused on mastering the brushwork, composition, and subject matter favored by the school. This included meticulous copying of earlier masters, not as rote imitation but as a means of internalizing their principles. The Kano style, known for its dynamic compositions, bold colors, and often monumental scale, served official commissions—decorating castles, temples, and aristocratic residences. However, Tanshin’s artistic development wasn't solely confined to replicating the past. He demonstrated an early inclination towards a more lyrical approach, subtly infusing his work with elements reminiscent of the Tosa school, a rival style celebrated for its delicate lines and refined elegance. This blending of influences would become a hallmark of his mature work.

A Delicate Balance: Style and Influences

Tanshin’s paintings are characterized by a serene beauty—a harmonious blend of power and grace. While firmly rooted in the Kano tradition, he subtly moved away from its more rigid formality. His landscapes possess a remarkable sense of atmosphere, achieved through delicate washes of ink and subtle gradations of color. He excelled at depicting birds and flowers, imbuing them with a quiet vitality that resonated deeply with Zen Buddhist aesthetics. The influence of the Tosa school is evident in his refined linework and attention to detail, yet he never abandoned the Kano school’s dynamic compositions. This delicate balance—between tradition and innovation—was both praised and criticized during his lifetime. Some lauded his ability to breathe new life into established forms, while others viewed his departure from strict Kano conventions as a betrayal of its core principles. Hanabusa Itchō, a prominent art critic of the period, recognized Tanshin’s “rare talent,” attributing it to his keen observation of nature and his ability to capture its essence in his paintings.

Major Achievements and Artistic Legacy

Although documentation of his complete oeuvre remains incomplete, several works attributed to Kano Tanshin Moromichi stand as testaments to his skill and artistic vision. His depictions of the Seven Lucky Gods, particularly *Jurōjin*, are celebrated for their serene beauty and symbolic richness. Jurōjin, the god of longevity, embodies auspiciousness and good fortune—a fitting subject for celebratory paintings commissioned during the New Year season. Other notable works include landscapes featuring cranes and gibbons, and delicate depictions of doves on plum branches. These paintings showcase his mastery of ink wash techniques and his ability to create a sense of depth and atmosphere. Tanshin’s influence extended beyond his own artistic production. As head of the Kajibashi branch, he oversaw the training of numerous students, perpetuating the Kano school’s legacy while subtly shaping its future direction. His work represents a pivotal moment in the history of Japanese painting—a transition between tradition and innovation, power and grace.

Historical Significance

Kano Tanshin Moromichi lived during a period of increasing social and political change in Japan. The Edo period was characterized by relative stability, but also by growing economic disparities and the rise of a merchant class with its own distinct aesthetic preferences. This led to a diversification of artistic styles and a questioning of established conventions. Tanshin’s work reflects this changing landscape—a subtle rebellion against rigid formality and an embrace of more lyrical and expressive forms. While he remained committed to the Kano school’s core principles, he also demonstrated a willingness to experiment and incorporate new influences. This made him a controversial figure during his lifetime, but it also ensured his lasting legacy as one of the most important painters of the Edo period. His paintings continue to be admired for their serene beauty, technical mastery, and symbolic richness—a testament to the enduring power of tradition and the transformative potential of artistic innovation. He passed away in 1835, leaving behind a body of work that continues to inspire and captivate audiences today.
kano tanshin moromichi

kano tanshin moromichi

1785 - 1835 , Japan

基本情報

  • Artistic Movement Or Style: kanō school
  • Artists Or Movements Influenced By This Artist: ['kanō school']
  • Artists Who Influenced This Artist: ["kanō tan'yū"]
  • Date Of Birth: 1785
  • Date Of Death: 1835
  • Full Name: kano tanshin moromichi
  • Nationality: japanese
  • Notable Artworks: ['jurōjin']
  • Place Of Birth: kyoto, japan