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スライドショーLight Bulb to Simulate Moonlight, Earth-Moon-Earth (Moonlight Sonata Reflected from the Surface of the Moon) and Ideas (A place that extists only in moonlight)
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Light Bulb to Simulate Moonlight, Earth-Moon-Earth (Moonlight Sonata Reflected from the Surface of the Moon) and Ideas (A place that extists only in moonlight)
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$ 62
Scottish artist Katie Peterson’s works are steeped in poetry, play and mysticism. She is fascinated by nature and natural sciences, especially astronomy, and often translates laboriously accumulated scientific knowledge into works of subtle humour that act as wormholes where the cosmic meets the everyday banal. Light Bulb to Simulate Moonlight (2008) is composed of a specially manufactured light bulb that simulates the spectral characteristics of moonlight. In collaboration with the lighting company OSRAM, Paterson produced a series of sets of such bulbs, each containing 289 bulbs to provide an average person alive in 2008 with a life-time supply of moonlight.Accompanying Light Bulb to Simulate Moonlight is a sound installation by Paterson titled Earth-Moon-Earth (Moonlight Sonata Reflected from the Surface of the Moon) (2007). For this, she translated the score of Beethoven’s Moonlight Sonata into Morse code and then bounced it off the moon using radio transmission. When the reflected waves were received back, part of the information had been absorbed by the moon’s surface, ‘lost’ to its shadows and craters. The reflected code, altered thus by its contact with the moon, was translated back to create a new sonata where those parts in the original that were lost to the moon act as intervals and rests. A recording of the moon-altered sonata is played on a record player in the gallery. Also displayed is a work from a series by Paterson called Ideas, composed of short haiku-like sentences that, according to the artist, turn “some of her unrealisable ideas into impossible statements of intent”.
関連作品
アーティストの略歴
Katie Paterson: Translating Silence into Stone
Katie Paterson (born 1981, Scotland) is a Fife-based visual artist whose work explores profound themes of time, scale, and the relationship between humanity and the natural world. Rooted in a meticulous research process combining geological science with artistic experimentation, Paterson’s practice seeks to communicate complex ideas through deceptively simple forms—often utilizing stone as a medium—resulting in installations that provoke contemplation about our place within planetary history. Her artistic journey began at Edinburgh College of Art where she earned a BA (2004), followed by an MFA from the Slade School of Fine Art (2007). These formative experiences instilled in her a dedication to conceptual rigor and a fascination with exploring intersections between science and art.- Early Influences: Paterson’s artistic sensibility was shaped by thinkers like Ernst Jünger and Georges Perec, whose explorations of geological time and the limits of language resonated deeply with her own creative concerns. She cites these figures as catalysts for questioning conventional narratives and embracing ambiguity as a pathway to understanding.
- Material Exploration: Paterson's distinctive approach centers on utilizing stone—specifically glacial ice—as both subject matter and artistic material. This choice isn’t merely aesthetic; it represents a deliberate effort to engage with the tangible realities of environmental change and to translate geological processes into visual representations accessible to a wider audience.
- Notable Projects: Her groundbreaking project *Vatnajökull (the sound of)* involved embedding a mobile phone number within a lagoon beneath Europe’s largest glacier, capturing ambient sounds—primarily ice cracking—and converting them into LP records. This ambitious undertaking exemplifies Paterson's commitment to blending scientific observation with artistic innovation. Subsequent projects include explorations of glacial landscapes in Iceland and Norway, furthering her investigation into the impact of climate change on geological formations.
Conceptual Framework & Artistic Vision
Paterson’s work operates within a framework informed by concepts of translation—not just linguistic but also epistemological—whereby she strives to convey scientific data and observations in ways that transcend conventional artistic conventions. She posits that art can serve as a conduit for communicating complex ideas about geological time, environmental degradation, and the interconnectedness of ecosystems. Her installations are characterized by minimalist aesthetics and deliberate use of space, designed to foster a contemplative response from viewers—a desire to confront the immensity of geologic history alongside the fragility of present-day environments.- The Sound of Ice: Paterson’s fascination with glacial landscapes stems from her belief that sound holds crucial information about geological processes. By recording and transforming ice cracking sounds into LP records, she seeks to capture a sonic dimension often overlooked in visual representations of glaciers—a testament to the importance of interdisciplinary collaboration.
- Mapping Time: Paterson’s artistic explorations extend beyond mere observation; they aim to represent time itself—the vast timescale governing geological evolution—through spatial arrangements and symbolic gestures. Her installations invite viewers to consider their own position within this grand narrative, prompting reflection on humanity's role in shaping the planet's future.
- Minimalist Aesthetic: Paterson’s artistic style prioritizes simplicity and clarity, rejecting superfluous ornamentation in favor of forms that convey maximum impact with minimal visual clutter. This aesthetic choice underscores her conviction that art should serve as a vehicle for conveying profound ideas without resorting to sensationalism or distraction.
Recognition & Legacy
Katie Paterson’s work has garnered critical acclaim and international recognition, cementing her position as one of Scotland's leading contemporary artists. She was awarded the Visual Arts category of the South Bank Sky Arts Award in 2014 and subsequently honored with a Leverhulme Fellowship at University College London. Her installations have been showcased in prestigious venues across Europe and North America—including Modern Art Oxford, Kettle’s Yard Cambridge, Tate Britain, Kunsthalle Wien, MCA Sydney, Guggenheim Museum, and The Scottish National Gallery of Modern Art—demonstrating the breadth of her artistic influence. Furthermore, Paterson's collaborative projects with scientists underscore the importance of fostering dialogue between disciplines in addressing pressing environmental challenges. Her enduring contribution to art history lies in her ability to translate scientific data into evocative visual experiences that inspire contemplation about our relationship with the planet and its past.
Katie Paterson
1981 - , United Kingdom
基本情報
- Artistic Movement Or Style: Conceptual art
- Artists Who Influenced This Artist:
- Turner
- Minimalism
- Date Of Birth: 1981
- Full Name: Katie Paterson
- Nationality: Scottish
- Notable Artworks:
- Light Bulb to Simulate Moonlight
- Earth-Moon-Earth
- Ideas
- Place Of Birth: Glasgow, United Kingdom