時代

動き

1. Studies for the figure of Christ in the painting Noli me tangere — フェデリコ・バロッキ
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
3. Figure genuflesse e studi di mani (per la — フェデリコ・バロッキ
4. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — フェデリコ・バロッキ, 1579
5. Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) — フェデリコ・バロッキ, 1612
6. Angels in Flight and Drapery Studies — フェデリコ・バロッキ
7. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ
8. Schizzo compositivo (per l — フェデリコ・バロッキ
9. The Institution of the Eucharist — フェデリコ・バロッキ, 1608
10. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — フェデリコ・バロッキ, 1569

雰囲気

1. Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) — フェデリコ・バロッキ, 1612
2. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — フェデリコ・バロッキ, 1569

トピック

1. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583

キーワード

色調

1. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
2. Self-Portrait — フェデリコ・バロッキ, 1570
3. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
4. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — フェデリコ・バロッキ, 1569

メインカラー

1. Figure genuflesse e studi di mani (per la — フェデリコ・バロッキ
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
3. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
4. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
5. The Adoration of the Magi — フェデリコ・バロッキ, 1561
6. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ
7. Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) — フェデリコ・バロッキ, 1612
8. Angels in Flight and Drapery Studies — フェデリコ・バロッキ
9. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
10. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
11. Studies for the figure of Christ in the painting Noli me tangere — フェデリコ・バロッキ
12. Study For ''Charity Relieving Distress'' — トーマス・ゲインズバラ
13. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — フェデリコ・バロッキ, 1569
14. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — フェデリコ・バロッキ, 1569
15. Male Figure Stooping to Lift a Cauldron — フェデリコ・バロッキ, 1590
16. Sketch 135 — ジョージ・ロミユー
17. Study of a Bent Right Arm — フェデリコ・バロッキ, 1590
18. Figures behind a Balustrade (Study) — アンドレア・デル・サルト
19. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
20. Schizzo compositivo (per l — フェデリコ・バロッキ

その他

1. The Circumcision — フェデリコ・バロッキ, 1590