時代

1. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — フェデリコ・バロッキ, 1603
2. ルネ・ニコラウスの赤い帽子 — ルーベンス, 1625

動き

1. Studies for the figure of Christ in the painting Noli me tangere — フェデリコ・バロッキ
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
3. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — フェデリコ・バロッキ, 1579
4. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ, 1595
5. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — フェデリコ・バロッキ, 1603
6. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
7. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
8. ルネ・ニコラウスの赤い帽子 — ルーベンス, 1625
9. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — フェデリコ・バロッキ
10. Flying Putto — アンニバーレ・カラッチ, 1500
11. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583

雰囲気

トピック

1. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
3. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
4. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — フェデリコ・バロッキ, 1603
5. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
6. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — フェデリコ・バロッキ, 1603
7. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
8. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
9. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583

キーワード

1. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579

色調

メインカラー

1. Standing Nude Man (Bacchus) — bartholomeus spranger, 1600
2. 腕を広げた浮遊する女性（初期バージョンのための習作） — グスタフ・クリムト, 1901
3. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
4. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
5. A male nude walking to the left — aniello falcone
6. Flying Putto — アンニバーレ・カラッチ, 1500
7. ルネ・ニコラウスの赤い帽子 — ルーベンス, 1625
8. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
9. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
10. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
11. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
12. Study of Apollo — ドメニコ・ヴェネツィアーノ
13. Nude — ボリス・ミハイルウォヴィチ・クストーディエフ, 1920
14. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — フェデリコ・バロッキ
15. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — フェデリコ・バロッキ, 1579
16. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — フェデリコ・バロッキ, 1603
17. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — フェデリコ・バロッキ, 1603
18. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
19. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
20. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
21. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
22. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
23. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ, 1595
24. Studies for the figure of Christ in the painting Noli me tangere — フェデリコ・バロッキ

その他