時代

動き

1. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — フェデリコ・バロッキ, 1603

雰囲気

1. Studies for the figure of Christ in the painting Noli me tangere — フェデリコ・バロッキ
2. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
3. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — フェデリコ・バロッキ
4. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583

トピック

1. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
2. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — フェデリコ・バロッキ, 1603
3. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ
4. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
5. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — フェデリコ・バロッキ
6. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
7. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
8. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — フェデリコ・バロッキ
9. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
10. Angels in Flight and Drapery Studies — フェデリコ・バロッキ
11. Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) — フェデリコ・バロッキ, 1612

キーワード

1. Angels in Flight and Drapery Studies — フェデリコ・バロッキ
2. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — フェデリコ・バロッキ
3. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
4. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — フェデリコ・バロッキ
5. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
6. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
7. Composition Study (for “Circumcision”, Paris, musée du Louvre) — フェデリコ・バロッキ, 1590
8. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
9. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
10. Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) — フェデリコ・バロッキ, 1612
11. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
12. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — フェデリコ・バロッキ, 1569

色調

1. Studies for the figure of Christ in the painting Noli me tangere — フェデリコ・バロッキ
2. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
3. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
4. The Circumcision — フェデリコ・バロッキ, 1590
5. Painting of the Circumcision — フェデリコ・バロッキ, 1500
6. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — フェデリコ・バロッキ
7. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
8. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — フェデリコ・バロッキ
9. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — フェデリコ・バロッキ, 1569
10. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — フェデリコ・バロッキ

メインカラー

1. Composition Study (for “Circumcision”, Paris, musée du Louvre) — フェデリコ・バロッキ, 1590
2. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — フェデリコ・バロッキ
3. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — フェデリコ・バロッキ
4. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
5. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — フェデリコ・バロッキ, 1579
6. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — フェデリコ・バロッキ, 1579
7. Painting of the Circumcision — フェデリコ・バロッキ, 1500
8. Studies for the figure of Christ in the painting Noli me tangere — フェデリコ・バロッキ
9. Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) — フェデリコ・バロッキ, 1612
10. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ
11. Angels in Flight and Drapery Studies — フェデリコ・バロッキ
12. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — フェデリコ・バロッキ, 1603
13. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
14. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — フェデリコ・バロッキ, 1569
15. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — フェデリコ・バロッキ, 1569
16. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — フェデリコ・バロッキ
17. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — フェデリコ・バロッキ
18. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
19. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
20. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
21. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
22. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583

その他

1. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — フェデリコ・バロッキ, 1579