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Installation shots from Horror Vacui series Installation Shot from Horror Vacui Serie

Explore Alejandro Almanza Pereda's unique art! Mexican artist blending danger, architecture & culture through striking juxtapositions. Master’s degree, international acclaim.

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From the eighteenth to the early twentieth centuries, Romantic landscape paintings enjoyed great popularity. Depicting natural geographical features such as pastures, cliffs or waterfalls, such paintings were often intended to instill patriotism, cementing the national identities of emerging states or countries. After the advent of technologies of reproduction of the twentieth century, and cheap skilled labour, landscape and genre paintings became inexpensive to produce. Today, paintings of many styles by unknown makers of decades past are widely sold in flea markets or charity shops. Instead of being admired for their skillful artistry as they once were, they are often dismissed as throw-away or kitsch. Alejandro Almanza Pereda’s Horror Vacui (2010–2017) series appropriates existing Romantic-style landscape and genre paintings sourced by the artist from within Istanbul. In the series, each painting is hung on the wall, with a lump of concrete stuck onto it, partially obscuring the image, as though part of a wall is hanging on the painting and not vice versa. Liquid concrete is then splattered on the painting and surrounding wall. The resulting effect is of a petit bourgeois interior from the last century that has been accidentally damaged by processes of construction. The work is an allegory of the entropic forces that can ruin even as they build. By contrasting these depictions of outdoor space with a building material such as concrete, Almanza Pereda calls attention to the space-filling processes of human construction. (The series’ title, ‘horror vacui’ – ‘fear or dislike of empty spaces’ – refers to a traditional visual technique of filling a pictorial plane’s negative space with detail.) The installation sets an idyllic view of nature against the corrosive and relentless process of humans shaping geography to their will. It also points to the covering up of history, the translation of values across time, and changes in taste, from the once-aspirational hand-crafted painting to the concrete that – although once employed for its inexpensiveness and ease of construction – is used today within contemporary, minimal ‘design’ interiors at a high cost. Perhaps this too will fade.

Биография художника

Early Life and Artistic Foundations

Alejandro Almanza Pereda, born in Mexico City in 1977, embarked on a creative journey deeply rooted in the cultural tapestry of his homeland yet profoundly shaped by experiences beyond its borders. His formative years were spent navigating the vibrant energy of Mexico City, absorbing the rich artistic heritage and complex social narratives that would later become central themes in his work. A pivotal moment came with his pursuit of formal education, culminating in a Master’s degree in Arts from Hunter College in New York. This period proved transformative, exposing him to diverse perspectives and solidifying his conceptual framework. However, it wasn't merely academic study that fueled his artistic evolution; rather, it was the interplay between living within different cultural contexts – Mexico and the United States – that sparked a fascination with how societies perceive danger, risk, and the very structures of safety. This early exploration laid the groundwork for an oeuvre characterized by striking juxtapositions and a questioning of established norms.

The Evolution of Materiality: From Installation to Underwater Worlds

Almanza Pereda’s artistic practice initially manifested in large-scale installations—precarious arrangements of found objects that seemed suspended between stability and collapse. These early works weren't simply about the aesthetic arrangement of materials; they were investigations into the inherent properties of those materials, challenging their perceived durability and conceptual limitations. Fluorescent tube lights, bowling balls, furniture, plants – seemingly disparate elements were brought together in a delicate balance, creating a tension that captivated viewers. The artist’s interest wasn't in narrative storytelling but rather in the materiality itself, prompting contemplation on fragility, value, weight, and power. This fascination with physicality led to an intriguing shift in his approach around 2010: he began immersing these objects underwater. Filming and photographing them within a DIY plywood aquarium introduced a new dimension—a sense of altered reality, where gravity’s rules were suspended and the mundane became surreal. The water acted as both a protective medium and a distorting lens, further emphasizing the inherent contradictions within his chosen materials.

Influences and Conceptual Framework

While Almanza Pereda's work is distinctly contemporary, it resonates with historical precedents. He acknowledges an affinity for Dutch still-life painting, particularly its meticulous attention to detail and symbolic representation of mortality and transience. However, he diverges from traditional approaches by eschewing narrative in favor of a more open-ended exploration of materiality. His conceptual framework centers on the culturally specific paradigms of safety, danger, and architecture—themes that are often explored through the juxtaposition of objects with contrasting connotations. The artist’s work isn't about providing answers but rather about raising questions: How do different cultures define risk? What structures do we build to protect ourselves, both physically and psychologically? And how do these structures shape our perception of the world around us? This intellectual rigor is balanced by a keen aesthetic sensibility, resulting in works that are both conceptually challenging and visually compelling.

Major Achievements and International Recognition

Alejandro Almanza Pereda’s work has garnered significant international recognition, solidifying his position as a leading contemporary artist. He has presented solo exhibitions at prestigious institutions including the San Francisco Art Institute, Museo El Eco in Mexico City, and ChertLüdde in Berlin. His installations have been featured at major art festivals such as the Istanbul Biennial and ASU Museum, demonstrating his ability to engage diverse audiences with complex themes. Beyond exhibition opportunities, Almanza Pereda has received numerous awards and residencies, including fellowships from the Smithsonian Institution, Black Cube Artist Fellowship, and Skowhegan School of Painting and Sculpture. His inclusion in Art21’s “Close Up” series further amplified his reach, introducing his work to a wider public. These achievements are not merely accolades; they represent a validation of his unique artistic vision and his commitment to pushing the boundaries of contemporary art.

Historical Significance and Lasting Legacy

Alejandro Almanza Pereda's contribution to contemporary art lies in his ability to synthesize diverse influences—historical painting, cultural studies, and material exploration—into a cohesive and thought-provoking body of work. He challenges conventional notions of sculpture by embracing found objects and unconventional materials, creating installations that are both visually striking and conceptually rich. His shift towards underwater photography introduced a new dimension to his practice, blurring the lines between reality and illusion and prompting viewers to reconsider their relationship with the physical world. More importantly, Almanza Pereda’s work encourages critical reflection on societal structures—the ways in which we define safety, perceive danger, and build our environments. As an artist who consistently questions established norms and embraces ambiguity, he leaves a lasting legacy as a pioneer of contemporary installation art and a compelling voice within the global art community. His exploration of materiality continues to inspire artists and viewers alike, prompting ongoing dialogue about the complex interplay between culture, perception, and the physical world.