Заказать репродукцию Lanting Preface (Yufu lingzicongshan ben)\n\nImage 1

The Lanting Preface is an essay allegedly written by Wang Xizhi (303–361), when he was half drunk, for a collection of poems composed during a gathering of some forty scholars at the Orchid Pavilion (Lanting) in Shanyin (modern Shaoxing, Zhejiang province). The annual literary gathering was held on the 3rd day of the 3rd month in the 9th year of the Yonghe reign (353), following a local tradition to ward off disasters and evil spirits in spring time. The original Lanting Preface manuscript was no longer extant since the early Tang dynasty, but its numerous traced copies as well as engraved rubbings from carvings on stone or wood have represented the most famous piece of semi-cursive calligraphy in the whole history of China. These copies, follow closely the original, always consist of over 320 words arranged in 28 lines.The Art Museum houses quite a number of very important rubbings of the Lanting Preface dating from the 12th century. The sample selected here were once in the collection of the Southern Song Grand Councillor You Si (? –1251). A native of Nanchong (or Yuechi), Sichuan province, he earned his jinshi degree in 1221. He was appointed Grand Councillor of the Right in 1245, and had been known to be upright, worthy and capable. He was a keen collector of different versions of the Lanting Preface, and at one time, it was said that more than one hundred rubbings of the Preface were in his hands. These rubbings were treasured by later connoisseurs as “Lanting rubbings from the Grand Councillor You collection”. The version selected here was later in the collection of the early Ming Jin Princely Estate and a number of renowned collectors in the Ming and Qing periods.The label of this album reads “The Imperial Court version with the ling character topped by a shan radical”. The feature of having a shan radical is unique amongst all versions of the Lanting Preface. A recent research has identified this as the Song prototype for the later Yingshang version of the Lanting Preface, widely popular since the 16th century. In 2016, the piece was listed in the “National Catalogue of Precious Ancient Books”.

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Gustav Mahler: A Titan of Late Romantic Expression

Gustav Mahler (1860-1911) stands as one of the most influential composers of the late Romantic era, a figure whose music continues to resonate with audiences worldwide. Born in Kalisz, Austria—now Poznań, Poland—into a family of modest means rooted in Bohemian Jewish tradition, Mahler’s early life instilled within him an enduring sense of displacement and exile, shaping his artistic vision profoundly. From the outset, he possessed exceptional musical talent, nurtured by his father's encouragement and honed through rigorous study at Vienna Conservatory where he forged friendships with luminaries like Arnold Schoenberg—a connection that would prove pivotal in shaping the trajectory of 20th-century music.

Early Influences & Musical Development: Mahler’s formative years were marked by exposure to diverse musical traditions, including folk melodies and operatic grandeur. His fascination with Wagnerian drama fueled his ambition to explore grand orchestral narratives, while simultaneously cultivating a sensitivity for the subtleties of vocal expression—a duality that would characterize his compositional style throughout his career.
The Wunderhorn Cycle & Symphonic Breakthroughs: Mahler’s breakthrough came with his masterful adaptation of Achim von Arnim and Clemens Brentano's *Des Knaben Wunderhorn*, a collection of German folk poems imbued with mythic grandeur and psychological depth. This project solidified Mahler’s stylistic signature—a fusion of orchestral power and lyrical introspection—and established him as a leading voice in the burgeoning symphonic movement. His Second Symphony, premiered in 1895, exemplifies this approach, blending dramatic intensity with moments of exquisite beauty.

Musical Style & Philosophical Vision

Mahler’s musical style is instantly recognizable for its monumental scale and emotional complexity. Unlike many composers of his time who favored formal conventions, Mahler championed a bold aesthetic that prioritized expressive nuance over rigid adherence to tradition. His symphonies—particularly Nos. 5, 6 and 8—are characterized by their sprawling structures, incorporating choral passages alongside instrumental solos, creating immersive sonic landscapes that convey profound psychological states. He deliberately eschewed the prevailing pessimism of his era, instead articulating a belief in the enduring power of human spirit—a conviction reflected in the thematic core of his Eighth Symphony, which premiered to rapturous acclaim in 1910.

The Influence of Rückert Poetry: Mahler’s artistic inspiration stemmed largely from the poetry of Friedrich Rückert, whose melancholic verses explored themes of loss, longing and existential contemplation. The Rückert-Lieder cycle—a series of five songs based on Rückert's poems—represents a cornerstone of Mahler’s oeuvre, demonstrating his ability to transform poetic imagery into musical form with unparalleled sensitivity.
Formal Innovation & Orchestral Mastery: Mahler pushed the boundaries of orchestral technique, experimenting with innovative instrumentation and harmonic progressions that anticipated developments in modernist music. His masterful orchestration—marked by a distinctive blend of tonal color and rhythmic dynamism—continues to inspire composers today.

Legacy & Recognition

Despite initial resistance from critics and audiences alike, Mahler’s music gained widespread acclaim posthumously, securing his place as one of the most frequently performed and recorded composers of the 20th century. His symphonies—particularly Nos. 5, 6 and 8—remain staples of orchestral repertoire, captivating listeners with their emotional depth and intellectual rigor. Furthermore, Mahler’s influence extends beyond the concert hall, inspiring artists across disciplines—literature, film and visual arts—who recognize in his music a profound articulation of human experience. The Gustav Mahler Society continues to champion his legacy, ensuring that his groundbreaking contributions to musical history are remembered for generations to come.

gustav mahler (text: friedrich rückert)

1860 - 1911 , Austria

Основные сведения

Artistic Movement Or Style: Late Romantic
Artists Who Influenced This Artist:
- Arnold Schoenberg
- Ludwig van Beethoven
Date Of Birth: July 7, 1860
Date Of Death: May 18, 1911
Full Name: Gustav Mahler
Nationality: Austrian
Notable Artworks:
- Symphony No. 5
- Kindertotenlieder
- Des Knaben Wunderhorn
Place Of Birth: Kalisz, Austria

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Lanting Preface (Yufu lingzicongshan ben)\n\nImage 1

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