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Shotoku Taishi

Explore Nakajima Kōzō’s 1911 wood sculpture of Shotoku Taishi. A masterpiece blending traditional Japanese carving & Western realism, showcasing serene beauty & spiritual depth.

Discover nakajima kōzō (Takamura Kōun), a pivotal Japanese sculptor who modernized wood carving in the 19th & 20th centuries. Known for realistic bronze statues like Saigō Takamori and 'Aged Monkey,' he bridged tradition with modern art & educated ge

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Картина маслом на холсте в выбранном вами размере и раме, написанная на заказ нашими художниками. (Перейти к печати Перейти к печатиПерейти к цифровым изображениям Перейти к цифровым изображениям)

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Shotoku Taishi

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Итоговая стоимость

$ 263

Takamura Koun was appointed professor of the woodcarving department at the Tokyo Fine Arts School at the recommendation of Okakura Tenshin. He was also charged with producing the wooden models for the statues Lord Kusunoki and Saigo Takamori, which the School had been requested to make. This statue was mede and donated by Koun as the principal statue for the Jogu Taishi (Prince Shotoku) Festival sponsored by the Kokka Club, the social organ of the art community at the time. Its consecration ceremony took place at the Prince Shotoku Festival held in the large auditorium of the Tokyo Fine Arts School in June 1911. A journal Koun kept at the time states that he asked Sugawara Daizaburo, a student of his who worked in Nara restoring Buddhist statues, to send him materials, including photographs of a statue of Prince Shotoku and its measurements, and reffered to these as he made the statue. It also tells that Koun was able to deliver the finished work in only a little over two months after the Club’s decision to have it made. Koun’s model was the Fujiwara period statue of Prince Shotoku of the Horyu-ji Shoryo-in Hall, and the fact that the Prince opens his mouth slightly, exposing his teeth, indicates that he is preaching a Buddhist sutra. Koun, following in the tradition of Edo Buddhist sculptors, revived traditional wood carving techniques in the Meiji era. At the same time, however, he was inspired by the realistic style of Western painting that “was lifelike and close to the real thing,” and put much effort into the study of sketching from life as well. While modeled after a masterpiece of antique sculpture, this work, too, has incorporated a true-to-life realism in areas like the Prince’s face, demonstrating the solid working technique of an artist who brimmed with a progressive spirit. (Writer : Rie Yokoyama Source : Selected Masterpieces from The University Art Museum, Tokyo National University of Fine Arts and Music: Grand Opening Exhibition, The University Art Museum, Tokyo National University of Fine Arts and Music, 1999)

Биография художника

The Master of Form: The Life and Legacy of Nakajima Kōzō

In the heart of the Meiji Era, a period defined by Japan's breathtaking metamorphosis from a secluded feudal society to a modern global power, one sculptor stood as a bridge between two worlds. Born in Tokyo in 1852 as Nakajima Kōzō, this artist would eventually become known to history as Takamura Kōun. His life was a profound meditation on the tension between preservation and progress. While much of Japan was rapidly adopting Western industrialism, Kōun dedicated himself to the refinement of traditional Japanese aesthetics, ensuring that the ancient soul of Japanese sculpture would not be lost in the rush toward modernity.

Kōun’s artistic journey began under the rigorous guidance of his mentor, Takamura Tōun, a master of Buddhist sculpture. This apprenticeship was more than mere technical training; it was an immersion into a spiritual lineage of wood carving that demanded absolute precision and a deep reverence for the medium. Through this connection, Kōun inherited a mastery of texture and form that allowed him to breathe life into inanimate materials. He did not merely carve wood or cast bronze; he sought to capture the very essence of his subjects, whether they were the divine figures of Buddhist tradition or the raw, visceral reality of the natural world.

A Synthesis of Tradition and Realism

As Kōun’s career matured, his style evolved into a breathtaking synthesis of classical Japanese technique and the burgeoning influence of European realism. He possessed a rare ability to maintain the delicate, spiritual grace of traditional wood carving while embracing the anatomical accuracy and dramatic presence found in Western sculpture. This duality is perhaps most evident in his most celebrated works, where the weight of bronze meets the ethereal quality of ancient craftsmanship.

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  • The Bronze Icons of Tokyo: Kōun’s ability to command monumental scale is immortalized in the streets of Tokyo. His bronze statue of Saigō Takamori, completed in 1898 and situated in Ueno Park, remains a powerful symbol of Japanese history. Similarly, his equestrian statue of the legendary samurai Kusunoki Masahige, standing before the Tokyo Imperial Palace, captures a sense of stoic loyalty and martial grandeur that continues to awe onlookers.
  • The Mastery of Nature: Beyond the monumental, Kōun found profound expression in the minute details of life. His work Aged Monkey (Rōen) serves as a testament to his ability to convey emotion and the passage of time through texture and subtle anatomical nuance, proving that his skill was as potent in small-scale realism as it was in grand public monuments.
  • Spiritual Depth: His depictions of Buddhist figures, such as Shotoku Taishi, demonstrate a continued devotion to the spiritual roots of his training, utilizing light and shadow to evoke a sense of peace, compassion, and divine presence.

An Enduring Artistic Heritage

The significance of Takamura Kōun extends far beyond the physical objects he created. As a professor at the Tokyo School of Fine Arts, he played a pivotal role in shaping the next generation of Japanese artists, instilling in them the same respect for tradition and courage for innovation that defined his own career. He was not merely a sculptor of stone and metal, but an educator who helped codify a new era of Japanese art.

His legacy is also deeply personal, carried forward by his son, the renowned poet and sculptor Kōtarō Takamura, ensuring that the Kōun lineage remained central to Japan's cultural narrative. Today, when we look upon the bronze figures in Tokyo’s parks or study the intricate textures of his carvings, we see more than just art; we see the enduring spirit of a man who looked at a changing world and chose to honor its past while sculpting its future.

nakajima kōzō

nakajima kōzō

1852 - 1934 , Japan

Основные сведения

  • Artistic Movement Or Style: Modern Japanese Sculpture
  • Artists Or Movements Influenced By This Artist: ['Western Realism']
  • Artists Who Influenced This Artist: ['Takamura Tōun']
  • Date Of Birth: March 8, 1852
  • Full Name: nakajima kōzō / takamura kōun
  • Nationality: Japanese
  • Notable Artworks:
    • Saigō Takamori
    • Aged Monkey
    • Prince Shôtoku
  • Place Of Birth: Tokyo, Japan