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Kupite reprodukciju The Wall: Asian Un(real) Estate Project

Indonesia is the fourth most populous country in the world and its cities are the fastest developing in Asia. Aditya Novali’s ‘The Wall: Asian (Un)Real Estate Project’ 2018 comments on the chronic housing shortage in Indonesia’s cities, and draws attention to the ways in which housing is intimately connected to our physical and emotional welfare.Novali trained as a ‘dalang cilik’ (child puppetmaster) from the age of seven, a demanding role in which he would take on the parts of all the characters in a play. At the same time, he would have to link jokes to an underlying message or ethical position for the audience to interpret. Novali now refers to Indonesian traditions in a more subtle way; however, the rotatable elements of ‘The Wall’ recall the audience participation from his childhood role. With a slice-through view of a high-rise apartment building, viewers are able to scroll through different environments revealing internal living spaces, a brick wall, and the metal bars of a prison cell. Novali’s work affords viewers glimpses of personal urban spaces, presented in miniature with a touch of subversive humour. According to the artist: ‘For me, a building is not just about building; it’s a complex system of life which can also be seen from different perspectives’.Exhibited in

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Biografija umetnika

Aditya Novali (b.1978): Bridging Architecture and Conceptual Exploration

Aditya Novali, born in Surakarta, Indonesia, in 1978, represents a compelling intersection of architectural training and artistic vision. His journey began with studies at Universitas Katolik Parahyangan, Bandung, where he honed his understanding of spatial design and structural principles – influences that would profoundly shape his subsequent artistic endeavors. Subsequently, he pursued a Master’s degree in Conceptual Design at the Design Academy Eindhoven, Netherlands, equipping him with tools for exploring complex ideas and challenging conventional perspectives within contemporary art.

Early Influences: Novali's formative years were marked by exposure to Indonesian folklore and puppetry traditions (*dalang cilik*), fostering a fascination with storytelling and audience engagement – elements that would later permeate his artistic practice.
Diverse Artistic Mediums: He deftly navigates various mediums, including installation art, performance pieces, painting, and sculpture, demonstrating remarkable versatility and adaptability in conveying conceptual narratives.
Notable Exhibitions: His work has garnered recognition on a global scale, appearing in prestigious venues such as the Scad Museum of Art in Savannah, Georgia; Galerie Canna in Jakarta; Primo Marella Gallery in Milan; and MAIIAM Contemporary Art Museum in Chiang Mai.

The Wall: Asian Un(real) Estate Project – A Reflection on Urban Challenges

A cornerstone of Novali’s artistic output is “The Wall,” a striking photographic installation conceived for *The Wall: Asian (Un)Real Estate Project*. This piece confronts Indonesia's pervasive housing crisis with minimalist elegance, blending architectural considerations—specifically the scale and materiality of urban buildings—with poignant commentary on social inequity. The project utilizes rotating panels to present multiple viewpoints, mirroring the artist’s interest in exploring perspectives beyond the surface level. As Novali himself describes, “For me, a building is not just about building; it’s a complex system of life which can also be seen from different perspectives.”

Material Exploration: Constructed primarily from plastic, cast metal, zinc, brass, copper, and wood, *The Wall* embodies Novali's meticulous attention to detail and his ability to transform ordinary materials into powerful symbols.
Conceptual Depth: The installation serves as a visual metaphor for the barriers faced by marginalized communities in accessing adequate housing—a theme that resonates deeply with Novali’s broader artistic concerns about social justice and urban transformation.

Stylistic Characteristics & Artistic Connections

Novali's aesthetic is characterized by a fusion of architectural precision and conceptual daring, mirroring the influence of artists like Hendra Aprida Gunawan and Zico Albaiquni B.1987—figures who have shaped the landscape of Indonesian contemporary art. His work embraces experimentation with diverse techniques and materials – from painting to sculpture – reflecting a commitment to pushing artistic boundaries. The artist’s penchant for exploring spatial relationships and confronting societal issues aligns with broader trends in international conceptual art, emphasizing dialogue between form and content.

Color Palette: Novali frequently employs bold color palettes—often inspired by landscapes—to heighten emotional impact and convey symbolic meanings within his paintings.
Sculptural Forms: His sculptures explore geometric shapes and textural surfaces, reflecting a fascination with materiality and structural integrity.

Recognition & Future Directions

Aditya Novali’s artistic achievements have been acknowledged through awards such as the ‘Best Emerging Artist Using Installation’ at the Prudential Eye Awards in Singapore and finalist in the ‘2010 Sovereign Asian Art Prize.’ His work has garnered acclaim for its conceptual rigor and visual sophistication, cementing his position as a leading voice within Indonesian contemporary art. Looking ahead, Novali continues to pursue innovative artistic explorations—driven by a desire to engage audiences intellectually and emotionally while confronting pressing social concerns—solidifying his legacy as an artist committed to challenging conventions and fostering meaningful dialogue about the human condition.

aditya novali b.1978

1978 - , Indonesia

Osnovne informacije

Artistic Movement Or Style: Contemporary Art
Artists Or Movements Influenced By This Artist: ['Connettismo']
Artists Who Influenced This Artist:
- Hendra Aprida Gunawan
- Zico Albaiquni
Date Of Birth: 1978
Full Name: Aditya Novali
Nationality: Indonesian
Notable Artworks: ['The Wall: Asian Un(real) Estate Project']
Place Of Birth: Surakarta, Indonesia

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