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Portrait of Count Aldo Annoni

Discover Cesare Tallone’s Italian portraits & historical paintings. Explore his Milanese career, Brera Academy influence, & recognition by Francesco Hayez.

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reproduction

Portrait of Count Aldo Annoni

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

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Konačna cena

$ 62

This painting was purchased in 1951 through the good offices of Stefano Jacini, president of the Cassa di Risparmio delle Provincie Lombarde, from the children of Count Carlo Cicogna Mozzoni (1867–1928). He had inherited the work from his father, Gian Pietro Cicogna Mozzoni (1839–1917), who was nominated by Aldo Annoni (Padua, 1831 – Ello, 1900) heir of the Cuggiono property, where the family had built the villa that bears their name at the beginning of the 19th century. A year after Annoni’s death, Count Mozzoni commissioned this portrait from the painter Cesare Tallone, which was probably to be hung in the villa at Cuggiono. The purchase of this work can be explained by the role the sitter had played at the bank for around twenty years. He was a lawyer with liberal ideas, a senator of the Kingdom of Italy from 1876 and was president of the Cassa di Risparmio delle Provincie Lombarde from 1881 to 1900, when he was also president of the Commissione Centrale di Beneficenza. The painting was restored when it was purchased, because it had been damaged during its various moves, and initially it went to the branch at Cuggiono and was subsequently hung in the meeting room of the Executive Committee. In 1952 another important painting by Tallone, the Portrait of Ellade Crespi Colombo, entered the collection of the Ospedale Maggiore in Milan. The two works were executed at the same time, but in this portrait in the Cariplo Collection Tallone has painted Aldo Annoni from a photograph, a method widely used during that period. Despite this, the figure is still very true to life, the features and natural pose are those of a living presence, looking towards the left and sitting against a backdrop with a plant motif. This element returns in other works, since Tallone uses it in his Milanese studio in Corso Garibaldi as a background when the bourgeoisie, aristocrats and intellectuals came to him to have their portraits painted. He used the same backdrop when his daughters, who were his favourite models, posed for him, the little Irene, in the painting exhibited in Venice in 1897 (Rome, Galleria Nazionale d’Arte Moderna), and Teresa, portrayed dressed as an oldalisque by Emilio Sommariva, a photographer and painter known at the Brera Academy and like Tallone a partner in the Famiglia Artistica.

Biografija umetnika

The Soul of Milan: The Life and Legacy of Cesare Tallone

In the golden twilight of the Belle Époque, few artists captured the psychological depth and social elegance of Milanese life as profoundly as Cesare Tallone. Born in Savona in 1853, his early years were shadowed by the profound tragedy of losing his father at the tender age of ten. This upheaval led him and his family to Alexandria, Egypt, a move that would unexpectedly shape his artistic foundation. Under the guidance of the decorative artist Pietro Sassi, the young Tallone began to cultivate a sensitivity to form and classical ideals, an education that provided the bedrock for a career defined by both technical rigor and emotional resonance.

The trajectory of Tallone’s life shifted dramatically when his prodigious talent caught the attention of the Alessandria City Council. Through their generous financial support, he was able to migrate to the heart of Italy's artistic pulse: Milan. Enrolling in the prestigious Brera Academy in 1872, he immersed himself in a rigorous curriculum under the tutelage of masters such as Raffaele Casnedi, Luigi Riccardi, and Giuseppe Bertini. It was during this period that Tallone began to synthesize the strictures of academic training with a burgeoning interest in the more fluid, light-drenched possibilities of Impressionism. A pivotal moment in his development arrived when the legendary Francesco Hayez recognized his potential, granting him access to his studio and offering a mentorship that would forever anchor Tallone within the lineage of great Italian portraitists.

A Master of the Human Spirit

Tallone’s oeuvre is a testament to the power of observation. While he achieved early acclaim through historical subjects—notably securing first prize at the Brera Exhibition of 1879—his true passion lay in the intimate exploration of the human countenance. He possessed an uncanny ability to move beyond mere likeness, seeking instead to capture the internal life of his sitters. Whether depicting the local bourgeoisie or more candid, unposed figures, his brushwork acted as a bridge between reality and emotion.

His technique was a sophisticated blend of Academic Impressionism and a robust realism. In works such as his Male Nude, one can observe the masterful use of earthy tones and thick, impasto textures that lend a tactile, sculptural quality to the flesh. Conversely, in his portraits of women, such as the evocative Untitled (AQR224) from 1911, he demonstrated a delicate command over light and shadow. He utilized the interplay of luminosity around doorways and within the heavy folds of fabric to create an atmosphere of quiet sophistication and domestic mystery. This ability to balance the weight of classical tradition with the fleeting, atmospheric qualities of modern light made his work uniquely captivating to a generation caught between two centuries.

Historical Significance and Artistic Influence

Beyond his individual canvases, Tallone was a vital thread in the fabric of the Italian famiglia artistica. His participation in this collaborative intellectual circle, established by Vespasiano Bignami, allowed him to remain at the forefront of the Milanese avant-garde. His influence extended far beyond his own studio, as he became a mentor to the next generation of painters, including Guido Caprotti Pacchetti and his own son, Guido Tallone, ensuring that his commitment to meticulous observation and expressive truth would endure.

As the twentieth century progressed, Tallone’s work remained a steadfast pillar of Italian excellence. His frequent excursions to Rome alongside contemporaries like Antonio Mancini and Francesco Paolo Michetti further enriched his stylistic palette, allowing him to integrate a broader European sensibility into his Milanese roots. Today, Cesare Tallone is remembered not merely as a chronicler of a bygone era, but as an artist who transformed the portrait into a profound psychological landscape, leaving behind a legacy that continues to resonate with anyone moved by the enduring beauty of the human spirit.

cesare tallone

cesare tallone

1853 - 1919

Osnovne informacije

  • Artistic Movement Or Style: Divisionism
  • Artists Or Movements Influenced By This Artist: ['Paul César Helleu']
  • Artists Who Influenced This Artist: ['Francesco Hayez']
  • Date Of Death: 1919
  • Full Name: Cesare Tallone
  • Nationality: Italian
  • Notable Artworks:
    • Untitled (AQR222)
    • Untitled (AQR224)
    • The Young Painter
  • Place Of Birth: Savona, Italy