MAXXI, novembre 2009
100.0 x 70.0 cm
MAXXI Nacionalni muzej umetnosti XXI veka
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade. ( Kupi ručno naslikanu sliku
Pređi na digitalnu sliku)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno iscrtavanje ili proširivanje. Samo će prikaz (mockup) precizno pokazati finalnu kompoziciju.
Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.
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Popust pri grupnoj kupovini
MAXXI, novembre 2009
Giclee štampa / Umetnički otisak
Dimenzije reprodukcije
-
Konačna cena
$ 62
Srodna umetnička dela
Biografija umetnika
Iwan Baan: A Photographer of Lived Architecture
Early Life and Education
Iwan Baan, a Dutch photographer born in 1975 in Alkmaar, Netherlands, developed his passion for photography at the age of twelve when he received his first camera as a gift from his grandmother. Growing up outside Amsterdam, Baan’s early experiences shaped his later focus on the interplay between people and their environments. He formally studied at the Royal Academy of Art in The Hague, further honing his skills before embarking on a career that spanned publishing and documentary photography across both New York and Europe.Artistic Development and Style
Baan’s artistic approach is characterized by a human-centered perspective. He doesn't simply document buildings as static objects; instead, he captures the *life* within them – how people interact with architecture, adapt spaces to their needs, and create a sense of place. This focus distinguishes him from traditional architectural photography which often prioritizes formal aesthetics. His work reveals our innate ability to re-appropriate available objects and materials, finding places we can call our own. He’s particularly drawn to informal communities where vernacular architecture demonstrates human ingenuity. Baan strives “to produce more of a story or a feel for a project” and “to communicate how people use the space.”Key Themes and Influences
Vernacular Architecture and Placemaking are central themes in Baan’s work. He showcases how individuals and communities shape their surroundings, often with limited resources, creating unique and functional spaces. His photographs challenge the notion of architecture as solely the domain of architects, highlighting the collaborative process between designers and inhabitants. While not explicitly stating direct influences, his documentary background clearly informs his observational style and commitment to storytelling.Notable Works and Projects
Baan has photographed buildings designed by many of the world’s most prominent architects, including Rem Koolhaas, Toyo Ito, Zaha Hadid, and Herzog & de Meuron. Some notable projects include:- MAXXI, November 2009: A series documenting the Zaha Hadid-designed museum in Rome.
- His impactful image of Manhattan after Hurricane Sandy (2012), which graced the cover of New York City Magazine.
Major Achievements and Recognition
- 2010: Won the first annual Julius Shulman Photography Award, named after a legendary architectural photographer.
- 2012: Featured on the cover of New York City Magazine with his poignant photograph of Manhattan post-Hurricane Sandy.
- 2016: Received the AIA New York's Stephen A. Kliment Oculus Award.
Historical Significance and Legacy
Iwan Baan has fundamentally shifted how architecture is perceived and documented. By prioritizing human experience and contextualizing buildings within their social environments, he’s broadened the scope of architectural photography beyond mere aesthetics. His work encourages a more inclusive understanding of architecture – one that recognizes the contributions of both designers *and* users. He continues to influence contemporary architectural discourse by providing unique perspectives on the built world and its relationship to society.Iwan Baan
1975 - , Netherlands
Osnovne informacije
- Birth Date: 1975
- Birth Place: Alkmaar, Netherlands
- Movement: Contemporary Architecture Photography
- Name: Iwan Baan
- Nationality: Dutch
- Notable Works: MAXXI (2009), Manhattan after Hurricane Sandy (2012)

Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm