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Explore the art of Matsubayashi-ryu karate by Housai Matusabayashi, a 20th-century Okinawan master preserving traditional clay pottery & martial traditions.

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Today, the Asahi kiln produces both stoneware and porcelain pieces. The stoneware pieces made are mainly of a style known as gohon, which has characteristic faint, red spots—the natural result of a chemical reaction that occurs when iron contained in the clay is fired in the kiln. At Asahi kiln the degree of the color and the patterns are divided into two categories, called hanshi and kase. In the case of ceramic pieces the kiln mainly produces sencha teacups and hōhin (handle-less Japanese tea pots). As with the stoneware, the porcelain pieces also don vibrant glazes that turn red, green, yellow, and other colors as a result of chemical reactions during firing.

Biografija umetnika

A Legacy Forged in Clay: The World of Matsubayashi Housai

Matsubayashi Housai (1950-2015) was more than a potter; he was the embodiment of a 400-year-old tradition, a custodian of Japanese ceramic artistry deeply intertwined with the spiritual heart of tea culture. Born in Uji, Kyoto – a region synonymous with the finest green teas and steeped in centuries of ritualistic practice – Housai inherited not merely a craft, but a lineage. He was the 16th generation master of the Asahi kiln, a workshop founded during the Momoyama-Edo period under the patronage of Kobori Enshu, a renowned figure whose aesthetic principles would profoundly shape the kiln’s identity.

Housai's journey began with rigorous training in Kyoto, mastering the fundamental skills of the rokuro (potter’s wheel). However, his education extended beyond technical proficiency. He apprenticed under his father, absorbing the subtle nuances of clay preparation, glaze formulation, and the demanding art of kiln firing – knowledge passed down through countless generations. This foundational period instilled in him a deep respect for the materials themselves, understanding that each piece held within it the echoes of the earth from which it came.

The Asahi Kiln: A Tradition of “Kirei-Sabi”

The Asahi kiln’s history is inextricably linked to the philosophy of Kobori Enshu. Enshu, a prominent tea master and garden designer, championed kirei-sabi – an aesthetic that finds beauty in simplicity, imperfection, and the natural patina of age. This ethos permeated every aspect of Asahiyaki production, influencing not only the forms created but also the very spirit of the workshop. The kiln initially flourished by producing tea utensils favored by daimyo lords, official residences, and discerning tea masters. Over time, it evolved to specialize in sencha ware – pottery specifically designed for enjoying sencha tea, a type of green tea that gained prominence during the Edo period.

Housai’s work was deeply rooted in this tradition. He continued to utilize clay sourced from Mount Asahi, a practice dating back to the kiln's earliest days. However, he wasn’t simply replicating past forms; he sought to harmonize ancient aesthetic sensibilities with modern perceptions. His pieces often feature gentle colors and contemporary details, demonstrating a remarkable ability to bridge the gap between historical reverence and innovative expression.

Beyond Technique: Symbolism and Artistic Vision

While Housai was a master of traditional techniques, his artistry extended beyond mere craftsmanship. His work is imbued with symbolism deeply connected to Japanese culture and spirituality. Perhaps most recognizable are his deer-shaped vases – a motif that speaks to themes of longevity, peace, and connection to nature. The dappled patterns reminiscent of deer spots aren’t merely decorative; they evoke the serene beauty of the forest and the gentle spirit of these animals.

Housai's dedication to preserving traditional forms was coupled with a willingness to experiment. He actively sought new materials and techniques, always evaluating their compatibility with the Asahiyaki style. This commitment to innovation wasn’t about abandoning tradition but rather enriching it, ensuring its continued relevance in a changing world.

A Legacy of Renewal

Matsubayashi Housai's influence extends beyond his own creations. He actively participated in projects aimed at promoting the revitalization of Japanese traditional crafts on a global scale. His collaborations with designers like Mae Engelgeer exemplify this commitment, demonstrating a desire to introduce Asahiyaki pottery to new audiences and foster cross-cultural dialogue.

In 2016, Princess Takamado bestowed upon Housai XVI her own calligraphy for the Asahi seal – a testament to his dedication and artistry. His passing in 2015 marked the end of an era, but his legacy continues through the work of the Asahi kiln and the countless artisans he inspired. He left behind not just beautiful objects, but a profound understanding of how tradition can be both preserved and renewed, ensuring that the spirit of kirei-sabi will continue to resonate for generations to come.

matsubayashi housai

matsubayashi housai

1950 - 2015 , Japan

Osnovne informacije

  • Artistic Movement Or Style: Traditional ceramics
  • Artists Who Influenced This Artist: ['Kobori Enshu']
  • Date Of Birth: 1950
  • Date Of Death: 2015
  • Full Name: Matsubayashi Housai
  • Nationality: Japanese
  • Notable Artworks: ['Deer-shaped vases']
  • Place Of Birth: Uji, Japan